Carmen Ejogo Quotations

One of the reasons I didn't ever pursue a career - in the music world if you're black or mixed, you need to be able to belt a song or else you're not a singer, you know?

I dabbled a little bit in the whole music thing but I've always thought about Bernie Taupin, who is Elton John's lyricist; Elton John is the great melody and song writer but Bernie Taupin is the one who writes all the lyrics. I don't write lyrics, and I never wanted to be in the music business if I was just going to be a puppet in it.

I make a really delicious eggplant and squash curry that's inspired by Vij of Vij's Restaurant, a great chef and restaurateur in Vancouver. I like to cook that dish because it's really simple, but the flavor is so pungent and intense that I feel like I'm a real chef whenever I create it.

Growing up in London, with a hippie mom, I don't know that I'm most people's definition of what a black person is. I'm mixed, yes, but in the world I'm defined as black before I'm defined white. I've never been called white.

Coming from the U.K., I can think of so many great songs and musical moments that didn't require a belter of a voice; my favorite singer is Kate Bush and she's not a belter, or PJ Harvey... I'm definitely more of an alternative girl.

I've stayed away from sexy roles. It's never interested me.

Any good director, and I've worked with a few that I would call very good, they know how to disarm any anxieties very quickly.

As an artist, there's so many categories that you're put into, that there are so many things that I'm about that I've never explored as an artist on film. I don't see myself in so many characters in film.

I wanted to work with Mike Leigh. I had my list of British people I wanted to work with, and I wanted to work with David Lynch and Woody Allen.

There was a point when I was very young where I remember talking with my mom about going to drama school and this was maybe when I was 8, 9, 10 years old - and she knew that I was also academically very capable, and she steered me in another direction.

I was a big fan of John Cassavetes, his wife, Gena Rowlands, and that era of filmmaking which was about realism and which represented the antithesis of the dreamy escapism you found in musicals.

I really feel that I had a genuinely diverse, multicultural upbringing, and I just don't find New York to be quite as diverse. Maybe I'm romanticising, but I feel that I was exposed to a real melting pot in terms of culture and pop culture. My kids are essentially middle-class, but I do try to remind them that they come from humble beginnings.

I can remember being very keen to go to drama school at the age of eight, and practising ballet in my bedroom to Queen soundtracks.

Great artists are the ones who have put their entire selves out there to be adored, humiliated, to be picked at, cherished, all of those things, and haven't shied away from that.

I come alive when I'm painting. I like to work in oils and acrylics, and the full sensory engagement and self-expression is very stimulating to me.

Intelligence starts to get pretty dull if it's not coupled with kindness.

I feel like I was born an actor. I did not pursue acting until I was a bit older. But I got a taste of it at an earlier age in the UK.

I was not seduced by the celebrity side of acting. However, as a British girl watching a lot of American TV, I saw that there was a whole world of opportunity in the States that I wanted to discover.

The Hollywood culture is so invasive, and I definitely wanted to be near it eventually.

At times as an actor, it's often times unclear as to what the directors envision for a project.

I'm guessing that musicals didn't make sense anymore because of the changes in the political environment that began in the late Sixties, an era of self-awareness and social revolutions.

Musicals are finally kind of coming back to a degree, perhaps out of a sense of nostalgia.

There are many mediocre entertainers who don't aspire to much more than fame and glory. It's very easy to have them as your role models because there aren't as many greats.

The great fear I've had to overcome is the fear of failure. It can be safer to stay in a comfort zone that's not stretching yourself.

I'd love to play a full-out rocking chick.

Leaving my first agent was both my best business decision and my worst business decision. It depends on how I want to look at my career because of opportunities that may have come had I stayed with him and because of the opportunities that did come because I had to fight harder for roles.

Success for me will be where the body of work I've done afforded me the opportunity to be as good as I can be, and to explore myself and to see what I'm capable of.

Do not let your light be dimmed by anybody who doesn't appreciate the dream that you're trying to pursue.

Coretta Scott King was all about her pearl earrings. At one point, I'm wearing pearl earrings the size of golf balls. They're enormous! She was bold-she knew that she was the Jackie Kennedy of her community.

I was this very precocious kid with a big personality. When my mother saw that modelling was something I enjoyed, she didnt dissuade me.

You have to be willing to be afraid if you're going to be an artist.