There is such a suspicion in today's world of people who do more than one thing, who aren't specialized.
There is more openness in LA to possibilities than on the East Coast of America. There is a pioneering spirit there that stems from the reason people went out there in the first place-to find something new.
I discovered that the people of the North are different and there's no way you can make a person from the North similar to a Southerner. They're two different worlds.
When we're at the end of The Rite of Spring or of a Bruckner symphony, I want people to feel the music physically.
Los Angeles is just a more open place. The way L.A. functions is that people give you a forum. They say, Show us what you can do.
Of course performing talent, that's clear. Maybe this is not so well-known among young people who are interested in music, who are talented in music, but they're trying to figure out how to go about it.
The players never think they project enough. In a hall that seats 3,300 people, it's a very scary thing to play so quietly that you can barely hear yourself.
Conducting is intensely social. You work with a hundred people every day. You collaborate, you try to focus their thoughts, you try to give them a concept, you try to inspire them, and it's actually exhausting.