I operate under the theory that all publicity is good publicity, and then, if that theory doesn't work, you just say that any newspaper article ends up on the bottom of the parrot cage. But, of course, you can't line a parrot cage with Internet bloggers, can you?
Making a movie like 'Felony' is hard work because you're really putting your own ideas on the screen. You can't hide behind some other person's script; you're saying, 'This is my brain, and I want you to know what I think'.'
One of the great joys of being able to write something you can make, if you get certain actors you want and love, you're kind of buying yourself a front row seat to watch them work.
I blame my work for a lot of things. I thank my work for a lot of things, too, but the trouble with being so passionately involved in work is that it becomes like a lover, like your partner, because it nourishes you.
If I'm going to work for twelve hours a day, I want twelve hours of awesomeness!
Getting the call from Ridley Scott made me think that sometimes you just need to go to work.
Part of the privilege of being an actor is the people you get to work with.
Stunt work offers a diversity of roles and, while I'm used to anonymity, I really like showing off and performing in front of camera, though I know my limitations.
It's an incredibly liberating feeling to have a skirt on. In fact, I know you can buy skirts, and you can buy work kilts and all sorts of stuff.
The nature of human beings is that we're competitive, and the chances are there's someone out there who's going to work harder than you and want it more than you.