I suppose in a way most of my characters are non-consumers, not terribly interested in all the little baubles and artifacts of contemporary life.
I'm gregarious with writers and never with manuscripts . . . I [like to] create the illusion of seamless perfection, so I alone know the flawed homely process along the way.
The computer is the way I'm making books, but I still think about the physical properties. I visualize the length of a book, the proportions of a book, in material terms.
For me, music is sort of the art that I can't incorporate into my person the way I want to.
It was often this way, life consisted of a series of false beginnings, bluff declarations of arrival to destinations not even glimpsed.
I've had the odd good luck of starting slowly and building gradually, something few writers are allowed anymore. As a result I've seen each of my books called the breakthrough. And each was, in its way.
I learned to write fiction the way I learned to read fiction - by skipping the parts that bored me.