But I think the one thing that I can say about us is that we're very consistent about certain things and part of that is our desire to do the very best work that we can and not rest on our laurels, or not allow formula to come into what we do.
There are people that very strongly identify themselves as gay and then lesbian, and then I think there are a lot of people who are kind of some percentage or some version of that.
I've always felt that sexuality is a really slippery thing. In this day and age, it tends to get categorized and labeled, and I think labels are for food. Canned food.
When I write, I tend toward melancholy, and the few times that I've tried pure joy in music, it doesn't really work that well. The joy can be through catharsis. I think that's what I do well, and observation.
I distinctly remember a conversation with my band in the van where I was having a complete meltdown. It was 1984, I think, and I was huddled in the back corner of our van and saying, "I can't do this. I can't do this. I can't do this." I didn't want to play any more shows. I just wanted to stop.
When we signed with Warner Bros., they knew what they were getting. They knew they weren't going to get some easily manipulated prepackaged pop group. That was not going to happen. What they wanted, I think, was the integrity that we had to offer. What they wanted was the kind of street cred or cache that R.E.M. could bring to them and the chance that we would give them a hit or two. What happened was we gave them a bunch of hits. And we became huge.
I think my apocalyptic feelings went deeper than [heavily influenced by Reagan and AIDS]. I'm really at peace with how afraid I am.
Sometimes I'm confused by what I think is really obvious. But what I think is really obvious obviously isn't obvious...