I had learned classical guitar when I was a kid, and I embraced it, and apparently I got good at it.
I think 'Classical Crossover' is the perfect category for what we do. We're a string quartet with people who've mostly all gone to conservatories and studied classical music, but we play all these different kinds of music.
I think music helps people through many means; it helps people just get through the day, ... I know when I am having not so good a time I put on some classical music and it just gets me through.
I was a jazz purist at the time, I had tunnel vision about jazz and classical music,
In Bonn, where I studied for a year, I changed from classical to Romance philology, taught there by its great founder, F. Diez, and at the beginning of 1852, I received the doctorate for a dissertation on the refrain in Provencal poetry.
After attending the gymnasium between my eighth and seventeenth years, I studied classical philology at Berlin University for two years under Boeckh and Lachmann, and with the friendly support of Emanuel Geibel and Franz Kugler, I dabbled in all sorts of poetry.
I write in the most classical French because this form is necessary for my novels: to translate the murky, floating, unsettling atmosphere I wanted them to have, I had to discipline it into the clearest, most traditional language possible.
My parents are both musicians and made sure we all played music. My brothers and sisters all play instruments, so we'll get together whenever we can and play. We play a lot of classical music - you know, the good stuff.
We have such a great depth of human history in all of the arts, whether it's opera or mathematics or painting or classical music or jazz. There's so many things to study, new books to read, and certainly always ways to transform old ideas and to come up with new ones.
I listen to old jazz and classical music, and that's it.