I don't mind UFO's and ghost stories, it's just that I tend to give value to the storyteller rather than to the story itself.
I've been reading ghost stories ever since I could read. I'm immensely curious about ghosts and UFOs and all that stuff, but I'm a very hard-headed person.
I love really, really deep, dark-as-Russia storylines. I love supernatural aspects. I grew up with ghost stories.
I loved ghost stories, creaky staircases, stormy nights. If it guaranteed nightmares I read it by flashlight, after midnight.
But I think we are seeing a resurgence of the graphic ghost story like The Others, Devil's Backbone and The Sixth Sense. It is a return to more gothic atmospheric ghost storytelling.
As a child, I was a brat, and my parents didn't know how to control me. So they told me ghost stories, which stayed with me. I am still petrified of darkness and being alone.
I think that the joke and the ghost story both have a similar set up in that you kind of set something up and pay it off with a laugh or a scare.
Ghost stories really scare me. I have such a big imagination that after I watch a horror movie like 'The Grudge', I look in the corners of my room for the next two days.
The fundamental difference between the mystery story and the ghost story is the fact that a mystery demands a solution for its effectiveness; a ghost story is necessarily unsolvable; the reader must be willing to accept the fact that nothing is proved.
Science fiction is no more written for scientists than ghost stories are written for ghosts.
I know what I miss as a cinemagoer is that balance of films that actually scare me, they're so few and far between. I loved ghost stories, I love horror stories, I love all of that stuff, but I really yearn for something to actually frighten me.
I wanted to write a horror story. But in some ways, I have always thought of myself as a kind of ghost-story/horror writer, though most of the time the supernatural never actually appears on stage.
Every love story is a ghost story.
The idea of Ghost Stories is how to turn something bad into something that gives you an uplift.
So what Ghost Stories means to me is like, you've got to open yourself up to love and if you really do, of course it will be painful at times, but then it will be great at some point.
I'm a huge fan of ghost stories, that sort of slow build, the suspense and the questioning about whether you're imagining something or if it's real.
Ghost stories are always listened to and well received in private, but pitilessly disavowed in public. For my own part, ignorant as I am of the way in which the human spirit enters the world and the way in which he goes out of it, I dare not deny the truth of many such narratives.
Ghosts are a metaphor that can be interpreted so many different ways. There's no ending to what you can do. You can make it a fun ghost story. You can make it a deeply disturbing, psychological ghost story.
Ghost stories always creep me out and weird me out. Those are always interesting to watch.
How to make a scary movie human, take a movie like Sinister. How can I make that guy so real so that the scary elements of it are more scary and it functions as a genre movie - as the way it's supposed to, you want to hear a ghost story at midnight, that's a good one - but how do you fill it up with humanity inside, in staying true to the genre? You know? Does that make sense?
I was horrified of the dark. I realized that the only way I could get over that fear was by scaring other people, so I became obsessed with ghost stories, drawing monsters, watching monster movies, sneaking into horror movies, and it's just been the love of my life forever.
This is a story about a family and, as there is a ghost involved, you might cal it a ghost story. But every family is a ghost story. The dead sit at out tables long after they have gone.
Everyone has a ghost story, or at least thats how it has always seemed to me.
Are you going to tell me what that was about?” Adam asked as we went back upstairs. “Sometime,” I told him. “When we're telling ghost stories around a campfire, and I want to scare you.
Most traditional ghost stories feature rather hapless protagonists, who have nasty things happen to them.
Ghost stories ... tell us about things that lie hidden within all of us, and which lurk outside all around us.
I read a lot of ghost stories because I was writing a ghost story. I didn't think at all I was writing a horror or a thriller or whatever because it is about a ghost, whereas a horror film can be about aliens or things that rise out of the marsh that have no human shape.
As a child I loved ghost stories.
You and me are going to have so much fun, Rose. Picking out curtains, doing each other's hair, telling ghost stories....
How are we to account for the strange human craving for the pleasure of feeling afraid which is so much involved in our love of ghost stories?
There are certain types of genres that are impossible in China. Ghost stories, something too graphic, too violent, and of course if it's too political. Other than that, it will be fine.
There is probably a smell of roasted chestnuts and other good comfortable things all the time, for we are telling Winter Stories - Ghost Stories, or more shame for us - round the Christmas fire; and we have never stirred, except to draw a little nearer to it.
we need ghost stories because we, in fact, are the ghosts.
The ghost story movie that scared me the most was The Changeling with George C. Scott. I think that's sometimes overlooked, but it's a wonderful piece of work.