Kubrick never explained the ending to us, or what his intentions were. He didn't intend for it to be a predictable film.
Blue Movie was based on an idea that Stanley Kubrick had. Somebody came by one day with some porn footage.
Kubrick is like someone like Fellini, like Kafka, like someone who really dreamt for us and gave to us the key to understand something and the pleasure to tell the story,
I was going to school thinking I was going to do something entirely different, thought acting was just a hobby at that point, met Stanley Kubrick and was like, 'Whoa, this can be an art form, and you can really move people the way you do simply by acting.'
I have always been a huge fan of Ridley Scott and certainly when I was a kid. 'Alien', 'Blade Runner' just blew me away because they created these extraordinary worlds that were just completely immersive. I was also an enormous Stanley Kubrick fan for similar reasons.
I really wanted to write the way Kubrick makes films - 'Strangelove,' '2001', 'Clockwork Orange', 'Barry Lyndon' - they're all so different.
The Beatles once approached Stanley Kubrick to do 'The Lord Of The Rings.' This was before Tolkien sold the rights. They approached him, and he said, 'No.'
Really, what I'm doing is an attempt to continue the best work of the people I adore: Francis Coppola and Scorsese and Robert Altman and Stanley Kubrick and those amazing directors whose work I grew up with and loved.
In 'Winter's Bone,' it's literally the director and the camera operator. That's it. Just a super-small Kubrick crew. You know what I mean? Like, 8 people.
I mean, there are certain Spielberg movies I really like, but clearly they're very different directors and I much prefer Kubrick to Spielberg.