Portraits Quotations
Portraits Quotes from:
- Richard Avedon
- Chuck Close
- Gustav Klimt
- Jamie Wyeth
- Pablo Picasso
- Edvard Munch
- Helmut Newton
- Henri Cartier Bresson
- Imogen Cunningham
- Johann Wolfgang Von Goethe
- John Singer Sargent
- Minor White
- Oscar Wilde
- Philippe Halsman
- Robert Rauschenberg
- Rolf Harris
- Tim Walker
- Aldo Leopold
- Alexander Smith
- Alexandra Kerry
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Area Quotes
I wasn't thinking of a sequel when I finished 'Life Class.' What changed my mind was the perception that the characters had a lot of life left in them, a lot of unresolved conflicts, and also I became interested in the Tonks pastel portraits of facially disfigured soldiers and in the whole area of facial reconstruction.
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Ability Quotes
'Painting like a child' isn't a negative for me... it's something only great artists can really achieve. The childlike quality of some of Picasso's drawings is precisely what makes them so masterful and extraordinary; the ability to express complete visions, feelings and portraits through a continuous line.
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George Quotes
Memes can be visual. Our image of George Washington is a meme. We don't actually have any idea what George Washington looked like. There are so many different portraits of him, and they're all different. But we have an image in our head, and that image is propagated from one place to another, from one person to another.
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Career Quotes
The portraits people will see in the show are from a phase of Dunn's career that most of his fans don't know about. He regularly did portraits of his friends, and a lot of figure painting as well. I think he mainly did it for recreation and didn't charge them for the work, or if he did it was very seldom.
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Audience Quotes
I use my intuition, my imagination, my voice and my body. That is really what actors do. There is a lot of nonsense talked about acting, but really all we do is use our voice, our body, our imaginations to create portraits about people so that you and the audience can be pulled into beautiful stories.
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Beautiful Quotes
Of course, pictures of objects also have this transcendental side to them. Every object, being part of an ultimately incomprehensible world, also embodies that world; when represented in a picture, the object conveys this mystery all the more powerfully, the less of a 'function' the picture has. Hence, for instance, the growing fascination of many beautiful old portraits.