York Quotations | Page 2

I left home when I turned 17 and ran away to New York. I did a lot of moving. I was based in New York and country-hopping, so I was always 'the new girl'.

I was going to move to New York after college and had no interest in pilot season. I'd seen what happened on TV shows because of my dad, and I didn't want to open myself up to that. But 'Pretty Little Liars' had a very early audition, and my agents encouraged me to go even though I didn't think it would be my thing.

'All In' is like the Giants motto, so I kind of took that, and I kind of used New York as the backdrop - how diehard New Yorkers are for their team. Me being a New Yorker, I just had to show my love for the city as well as my love for the New York Giants.

I came to New York when I was eighteen years old, and the first audition that I ever went to was this huge cattle call at the Equity building where I had gone two days earlier to sign up - I didn't have an agent or anything. It was for 'Chicago.' There were probably three hundred people there.

I've taken my boys to the house I grew up in. Taken them to the site of Ebbets Field, where the Dodgers used to play. They go to all the Dodger games, and they play Little League ball. I have infused them with New York spirit.

I was born in Romania and later lived in Vienna, Austria, for a few years, and I eventually made my way over to New York in '95.

All my friends were off on gap years, so going to New York alone, at the age of 18, was kind of my flying the nest. It was an amazing experience.

I have not heard that even the New York abortion has done very much in the States where it has been enacted.

I went to see the stock exchange when I was 18 years old. I'm not a Wall Street lawyer, I'm a Stanwix Street lawyer. Stanwix Street is a street in downtown Pittsburgh. One of the clients is Mellon Bank, which merged with the Bank of New York Mellon a number of years ago. And I have for years have done software licensing for Mellon.

Frequently I get asked if I'd rather have spent my career in a big city like New York or Los Angeles, where the exposure would be greater than in Seattle. My answer is no, not at all. Exposure is not important to me.

Chinatown is tremendously interesting... It's a part of the city that hasn't really been explored in crime literature or in any general literature. It's as though Chinatown didn't exist. People write about New York without mentioning Chinatown at all.

We played one warm-up gig at this bar that was kinda like that bar in 'The Blues Brothers' with the chicken wire. This place called The Brick House, in Housatonic. I really can't believe we're going to play for people in New York City. I'm terrified, but it's a small enough room. But it's really just supposed to be for the fun of it.

I am haunted by what my life would have been had I not had the courage in my early twenties to leave Pittsburgh for New York City and really commit to being a writer. Pittsburgh is both post-industrial and provincial, and the opportunities there are limited. It would have been quite easy to simply drift through life.

The thought of playing a New York detective scared the hell out of me. I didn't know if people would believe me in the role just because of my physicality, which made me want to do it even more.

I love New York. I was in New York at the age of 13, at the School of American Ballet, walking around the subways in my little bunhead and thinking I was so cool.

Yes, I'm supposed to go back to New York to do Geraldo, and we're going to be doing The Tonight Show.

I started as a journalist for magazines in New York City, so it was always storytelling. And moving into movies was a natural transition.

Sexiness is about confidence and individuality. I can't keep my eyes off the women you see in cities like London, New York and Paris - the way they carry themselves and put themselves together are always so unique.

When I first came to New York City, what I was thrilled about was not the Empire State Building, or the Statue of Liberty; it was the fireplugs in the street. These things that Jack Kirby had drawn. Or these cylindrical water towers on top of buildings that Steve Ditko's 'Spider-Man' fights used to happen in and around.

Whether it's New York or somewhere else, the metaphor of 'Avenue Q,' which is the place you live when you can't afford to live anywhere else - and we've all been through that in our journey. As I always say, at any moment I could be back on Avenue Q if I pick the wrong show.

The thing about New York is, more than any other place I've ever been, you run into people on the street that you would never imagine you'd see, old friends, people just like there for a day or two. I find that all the time when I'm walking around Manhattan, running into people that I had no idea were even there.

Audiences are a wee bit more chatty in New York than in London.

There have been moments where I'm like, 'I don't know how I'm going to survive and pay next month's rent.' And the next month I'm filming a movie in New York City.

I started in theater; I did theater in New York for 14 years before I even thought about doing movies - I never thought about being in a film; it just never occurred to me.

You open a section of 'The New York Times,' and there's a review or a story on a choreographer or a dancer, and there's an informative, clear image of a dancer. This is, in my view, not an interesting photograph.

One belongs to New York instantly. One belongs to it as much in five minutes as in five years.

Before 'Fringe' I was in 'Dirty Sexy Money' playing Jeremy Darling who was this bratty New York socialite.

I rise at 6. Strong coffee helps me face the paper edition of 'The New York Times.' It daily challenges my own capacity for faking anything deranged enough to sound true. I work till 2 P.M. unless I am in the throes of finishing something. I rewrite to be reread.

In 1887, Oregon became the first state to make Labor Day an official holiday, with Colorado, Massachusetts, New Jersey, and New York quickly following suit.

The acting training in school was great, but it was mostly fun being young and in New York. Because my upbringing was so transient, New York ended up being my home. I've been living in New York longer than I have anywhere else in my life.

Misty Copeland is making history. During American Ballet Theatre's current season at the Metropolitan Opera House, Copeland will alight on that storied Lincoln Center stage, making her New York debut as the Swan Queen in the iconic masterpiece Swan Lake - a crowning achievement for any dancer, regardless of the color of her skin.

I think you're lucky if you discover what you really love at a young age. College wasn't something I was going to do. I wanted to keep acting, and I didn't want to go to New York or California and pound the pavement.

'The Mortal Instruments' is based on a series of novels by Cassandra Clare; it has been a New York Times bestseller, so it is pretty popular.

I am not a religious person myself, but I did look for nature. I had spent my first sabbatical in New York City. Looked for something different for the second one. Europe and the U.S. didn't really feel enticing because I knew them too well. So Asia it was. The most beautiful landscapes I had seen in Asia were Sri Lanka and Bali.

I was 26 when I went to my first acting class. I'm naturally quite shy. I'm a quite private person. There's this really strange acting class in New York called Black Nexxus. For someone who's slightly shy or self-conscious, it's the most frightening thing you can do.

For a writer, New York works well. Literary work is very elitist. I worked two hours a day, maximum, and the time after that was very agreeable. I walked a lot with pleasure. Those two hours augmented the day. I wrote more here than in Paris, an entire chapter of a new novel.

I have quite a bit of experience reporting on corporate behavior, both doing it with independent operations in early in my career, in the underground press, to magazines like 'Rolling Stone,' to regional newspapers and television, and television news programs, to papers like the 'New York Times' and public television.

Early in the 1990s, I flew alone in a dandelion-yellow, single-engine, 180-horsepower Piper Cherokee from Westchester County Airport in New York westward to the Rocky Mountains, landing and refuelling a good many times in middle-sized cities and towns along the way.

I started out with a business and psychology major, and then I started doing plays and concentrating more and more on theater. I dropped out of college and moved to New York and studied theater at The Neighborhood Playhouse. I did that for a couple of years and then got an agent.

I've taken the leap of faith to stop punching the company time clock and start working for myself. I'm now the CEO of Starfish Media Group, my production company, in New York City.

The great 'New York Times' columnist Dave Anderson famously slept one year in a child's race-car bed. There he was, Pulitzer Prize and all, snoring as his feet dangled over the rear tires of Lightning McQueen.

People in all walks of life, and especially business, do not want to experience the collapse of cities like New York along with global finance and economy in chaos, but this is what business faces if we continue to attribute climate change to fossil fuels alone.

I was born in New York City on a cold January night when the water pipes in our apartment froze and burst. Fortunately, my mother was in the hospital rather than at home at the time.

It's illegal to be gay in Little Rock - this is such a reality for so many people, but once people get to these bubbles of New York or L.A. or Boulder, Colorado, they forget.

I was a huge Bowie fan since I was 12 years old. That was the first 'punk' rock I got into in the Seventies. I didn't find out about a lot of the other stuff that was going on, like New York Dolls and Roxy Music, until a lot later.

I'm born and raised in New York. I've lived between New York and New Orleans for the last 16 to 17 years.

I left for New York expecting to repeat my success, only to be turned down by almost every publisher in that city, till the Viking Press, my American publishers of a lifetime, thought of taking me on.

When I became the manager of the New York Yankees, it was an opportunity to realize my lifelong dream of winning the World Series. We were fortunate enough to succeed in our first season in 1996, and in the years that followed, we wrote some great new chapters in Yankee history.

My business partner Robert De Niro knows a lot about hotels; he opened the Greenwich Hotel in New York City.

I was 28, and my mom was living with me. I had to decide. You have to claim it; you can't ask permission. After a gig in Singapore, she went home, I went to New York on my own, I packed her stuff in boxes and sent it home. I don't think she liked me for a while for doing that. It was something I needed to do to carve out my own space.

I'm a theater guy at heart; I love the theater. I was lucky enough to spend a good decade and a half in the New York theater community.

I dropped out of high school three days into my senior year because I hated it because New York City public school is a mess. I certainly wasn't one for sitting in a classroom. Then I went off to college to North Carolina School of the Arts, then quit that after two years.

I originally had opened the studio in New York to combine my two loves, music and design. And we created videos and packaging for many musicians that you know, and for even more that you've never heard of. As I realized, just like with many, many things in my life that I actually love, I adapt to it. And I get, over time, bored by them.

When I moved to New York at 22, I didn't know what I wanted to do. I took an improv class, and the first scene I did, I felt like 'I want to do this for the rest of my life.' It was the first time I ever felt like that about anything. I tried to make a living off improv.

For clothes, I like Anna on Regent's Park Road. Anna Park, who owns it, has an amazing eye for fresh, exciting clothes. I also love Arrogant Cat on Kensington Church Street. Space NK on Duke of York Square for exciting potions. I think I stretch the term 'tester' way beyond its boundaries.

Entrepreneurship is seen as if you're in Silicon Valley or New York City and starting an app business or a social-media business, which is cool. But what we really have to focus on is people who make things, and how can we fund them, and how can we encourage people to stay in their community and make a difference in their community.

Basically, New York housing is designed by formula, with lots of restrictions.

On the one hand, I'm this guy who grew up in the suburbs of New York City to very conservative parents, and the other side of me is fascinated by the peripheries of our culture, maybe because that's where our culture is most in transition and where there's likely to be conflict.

New York gives us a wide colour palette to cook from. We have cuisines from around the world, and that lets us pick and choose.

I moved to New York for love, and it was a disaster, in 2000. And then I had American friends who had lived in South Africa, and they were in Chicago. They said, 'Come and spend some time with us, and we'll help you get over it.'

When I was mayor of New York, my views changed. I began as mayor of New York City thinking that I could reform the New York City school system. After two or three years, four years, I became an advocate of choice, of scholarships, and vouchers, and parental choice, because I thought that was the only way to really change the school system.

My father emigrated from Lithuania to the United States at the age of 12. He received his higher education in New York City and graduated in 1914 from the New York University School of Dentistry. My mother came at the age of 14 from a part of Russia which, after the war, became Poland; she was only 19 when she was married to my father.

During my jury selection process, we went through over 360 jurors. It took six months, all New York residents. Of the 360 jurors, over half of them had been mugged one time. Quite a number of them, maybe 30 40, 50, had been mugged twice.

'The Good Guy' is a totally differently-looking New York than 'How To Make It' portrays. 'The Good Guy' is all about Wall Street and that culture, which 'How To Make It' touches on, but 'How To Make It' also is downtown, Lower East Side loft parties, cool clubs, Brooklyn and that world.

'Damages' was cool. It brought me back to New York for a little while, so that was a lot of fun, and I was obviously very excited about the opportunity to work with Rose Byrne and Glenn Close. I'd been a fan of that show before I started working on it.

I've always loved dogs and have had one since I was three. We bought her from a kid selling puppies out of a cardboard box on the street where we lived in New York City. Great dog. We named her 'Marcella' after a Raggedy Ann character. She grew up with us.

I started painting graffiti in the classic New York style of big letters and characters but I was never very good at it.

I think that New York is the city of all cities. There is so much diversity there. I also like that when I go there, I can catch a play or musical and see some of the most talented people practicing their craft.

I moved to New York to work in theater, so my range of motion was really from where I lived - which was downtown, in the Lower East Side - to Midtown, where the theaters are. So I got to know New York, Midtown and south.

I was able to participate in New York Fashion Week and walk down the runway. I participated in a pizza contest in Canada.

I'm very obsessed with the energy of New York and the idea of the way people behave in the city versus the way they behave in a natural environment.

I think the main influence has been living in New York City. Aside from all the crap around 9/11, I find it very demanding to think amid all the noise and visual pollution.

I brought in a yogurt master from Turkey. I went to Greece. I was always going back and forth, from New York to Turkey and Greece. The recipe we use has been around hundreds and hundreds of years. Growing up in Turkey, not a day would go by that we wouldn't eat yogurt like this.

The only time I've ever really felt envy is when I've watched people make music, which made my time living in the now-legendary Jazz Loft at 821 Sixth Avenue in New York a constant source of agony and ecstasy!

I therefore shared fully the intense chagrin of the New York and other State delegations when, on the third ballot, Abraham Lincoln received a larger vote than Seward.

I don't use any real vintage hardware any longer. That's always been the object as far as gaining control of the studio environment, going back to when I built my first studio, Secret Sound, in New York City. The whole point was to not have to pay studio bills anymore and not be looking at the clock.

Think of everything in Seattle - Microsoft, Amazon, Starbucks. Then you go down to Silicon Valley - Intel, Apple, Google, Facebook, Twitter. What does New York produce?

Historically and culturally, New York City and our entire nation simply would not be the same without the infusion of Asian traditions. Whether it is food, art, language or any other facet of cultural life, Asian Americans have made our city and our country stronger and richer.

I think our vision heretofore has been and should continue to be to have Cardozo be the kind of law school that we can be proud of. I would like to see it gain recognition as one of the three best law schools in New York City.

They're lots of good Americans here in New York who have common sense and who believe in free markets and free people and limited government under our Constitution. Those are the principles I've always stood for. I know they're right, and that's what I'm going to stand for.

Kids who grow up in radically different environments are always going to have different comfort levels with regard to a topic. If you don't live near a train track, it's hard to squash a penny that way, and if you live in an apartment in New York City, it may be difficult to get to drive a car.

When I came up to New York to do a play, I passed by Julliard, and I was like, 'Oh I heard of this place.' I applied, and ended up getting in.

I first considered writing 'New York' in 1991. I'd been in the city for a decade, was married to an American wife, and sending my children to New York schools. I was even on the board of a coop building. But I wasn't sure how to organize such complex material, and for many years I put the project aside.

When I first started out, being from the South and going to New York or Chicago, people kept telling me to get voice lessons and 'lose that stupid accent you got.' And I'm like, 'Well, where I come from, you have the stupid accent.'

I was just a guy who ran away from home at 16 because my parents were getting a divorce and the judge was making me choose which parent to live with. I didn't want to make that choice. I ended up in New York City.

I'm from Indiana. I know what you're thinking, Indiana... Mafia. But in Indiana it's not like New York where everyone's like, 'We're from New York and we're the best' or 'We're from Texas and we like things big' it's more like 'We're from Indiana and we're gonna move.'

I was born in New York City. But my family moved when I was still an infant. Except for a year and half when we lived in Youngstown, Ohio, I grew up in small towns in Pennsylvania. I graduated from high school in Farrell, Pennsylvania.

A lot of my training is in classical theatre; I've done a lot of classical plays in New York and also at the Guthrie and here and there across the country.

Seeing New York in the movies is what made me want to live in Manhattan one day. I eventually got my wish, and the city has never disappointed me.

I always talk to young writers about when you make art in your room, you make art. And when you send it to New York and L.A., you have to be a professional. Of course, when you sell your book rights as an option for a movie, you have to be a professional about that.

I lived in New York City for a while and miss it like it's a person. Although I grew up in the Pacific Northwest, I'm a New Yorker at heart. A stroll through Central Park, a visit to the MET, a show on Broadway. There is no other city like it in the world!

Instead of looking at individual buildings, it makes more metaphorical sense to think of New York as one enormous chunk of masonry that has been cut up and carved away. It says, 'This is the ultimate polis, through which humans move like nematodes.'

I read the 'New York Times,' 'USA Today,' the 'Union-Tribune,' then go online to Drudge, CNN, Fox News, blogs.

I'm a half-breed. You know, I'm Puerto Rican and Norwegian from descent, and I grew up, born and raised in New York City, and I stood out amongst my friends in my community. I was very blond-haired, white, and 'Lemonhead' was the name that they gave me.

I've had a pilot every single year that didn't sell for the past four years, that'll smack you in the back of the head. I had a really good one last year; I wouldn't have done the play in New York if I had gotten that one.

Some of my best friends here in New York have pasts I have a hard time reconciling with the people I'm close to now. But I wouldn't change them - or their pasts - for anything in the world. Their experiences are what made them the people they are today.

I moved from a mountain with one traffic light to New York City when I was 17, and it was an amazing, eye opening, creative adventure. I would walk through the streets of Manhattan looking up at these huge buildings, amazed that I didn't know a single person in any of them.

I was a monster. I don't deny it. I wasn't a monster until a few years ago. But you have to be a monster to survive in New York City. New York City doesn't give a damn about violence.

I have one rave 'New York Times' review framed next to a flop 'Los Angeles Times' review. And it's for the same show. These people watched the same show. That's what happens. They love it, they hate it.

I had saved a lot of money working at Mrs. Fields' Chocolate Chip Cookies, ushering at the Golden Gate Theatre, and doing odd jobs so I could live in New York for a few months. If it ran out, I would have to give up and go home. It turned out OK. I got my Equity card and started working.