Antoni Tapies Quotations

It is what makes conscious of the conditions and laws of observing which applied in this manner become a theme on its own. The activity of consciousness depending on the way the work itself proceeds, becomes the subject of my attention this way and it is precisely because of this voyeuristic attitude toward the own observation and experience of the subject that the conscious analytic dimension in the work shows.

There is something evocative about the idea of destruction. This act of destruction is the expression of an idea... that what we call reality is not real at all. When I draw a head, for example, I immediately feel an urge to destroy it, to erase it, because the drawing only captures an outward appearance, and for me the vital issue is what lies behind the visual form of the head.

The tattoo can only exist as part of the skin, as a drawing always is an incision in the material and therefore cannot be parted from it.

I often told the fanatics of realism that there is no such thing as realism in art: it only exists in the mind of the observer. Art is a symbol, a thing conjuring up reality in our mental image. That is why I don't see any contradiction between abstract and figurative art either.

The artist may rightly venture the opinion that he does not convey ideas, does not preach, nor does he intend to convert people by using mass communication techniques... Better than handing out all kinds of wise advice, he could show life itself; he could awake forces lying dormant in everybody. He could launch an invitation to create direct and personal experiences.

To achieve contact with reality is not to transport oneself elsewhere; it is not transcendence but thorough immersion in one's surroundings - a reality which is neither purely physical nor metaphysical, but both at once.

I would say off the cuff that I am an anxious person. I worry about everything. I need to know everything. I tend to live in a state of anxiety with the feeling that life is some kind of great catastrophe.

Reminding people what in reality it is all about, giving them a theme on which to ponder, creating a shock within them, pulling them out of the delusion of non authenticity, enabling them to become aware of their true possibilities.

My activities have never had anything to do with the idea of becoming famous or achieving success. I have always been concerned with getting people to listen to me. In everything I do ... my aim is to make people listen. I want to communicate the things that I love and in which I believe, because I think that people can derive a general benefit from them. What I really want is success in a philosophical sense: I want people to grasp something of the ideas and hopes which I express in painting.

In the potential of absurdity, hiding in the disparate combination of the various different subjects which in themselves are nothing but daily items equally in the exclusive representation of a normal item taken out of their usual context , is by far the most radical - in its effect comparable to a Japanese Zen koan - paradox to be witnessed, which modern art has produced, one of the most forceful impulses that generated from it.