Bill Conti Quotations

There's a higher place that I have no illusions about reaching. There's a sophistication and aesthetic about composers who only write only for the music's sake.

In the back of your mind, when you say you want to write music for the movies, you're saying that you want a big house, a big car and a boat. If you just wanted to write music, you could live in Kansas and do it.

Making a living is not a career. It might be for an accountant, but it's not for someone who says "I want one thing." The guy who feels that his career hasn't happened yet. The guy who has that kind of hunger, who wants money and fame.

Mozart's job classification was to write music, which he did for ballets and operas. He got paid to do that, and taught on the side. He wasn't a waiter. He didn't sell mutual funds. Those are all noble professions, but if you want to be a professional composer, then you're writing dramatic music for film and television.

Music is anti-intellectual. It's non-literal, and you have to find out what makes the director happy. You want to let someone hear what you're thinking about. Because if you get to the stage, and the director says "I wasn't thinking like that," then your score won't be in the movie.

When the audience and the performers become one, it is almost nearly divine, where this oneness can actually meet in some, not physical place, but in some spiritual place, in the middle, not the performers performing, not the audience receiving, but all of a sudden that contact is made and it becomes wonderful.

All you have to do is open up a little bit and then you'll be experiencing a part of that person's soul. It's just there -- in the presence of a beautiful painting, a creation, something created by someone else. This is insight into not who they are physically, but who they are on this other plane, so, what makes it magic, always, is to hear music performed live.