Deborah Cox Quotations

The song came out to be a gem, just came out to be a really, really interesting rendition of it.

I prefer Princess. I would love to be known as a diva later on in life when I've had far more experiences.

I wanted to do Dreamgirls. If they're doing a stage production of Sparkle, I think that would be hot.

The second song is called 'Easy As Life,' which really describes the complete conflict of the whole story, her struggle of being in love with the enemy and also being in love with her people.

I've always been switching around the show to accommodate the audience, and you know it really makes it a lot more fun for me and keeps it fresh so that I'm not complacent with the same show every night and with every audience.

He doesn't make it so complicated but just really allows the lyric to come through even though there's a lot of production going on. I think that's the key and that's the magic, it's making sure that people could still connect with the lyrics while they're on the dance floor.

I think differently, I think it's about reaching everybody on every different plane and every different level, and if I could remix the song and do a dance remix, that's great. If I could do a classical version, that'll be great too. It's all just about expression.

I really think about the times that I've been through with my husband and all the stuff that we've been through together, and I think to those moments for inspiration for the role.

It was a dream come true performing with her and just being on the same record. So in my eyes, she was the epitome of a great voice and for us to share together was awesome.

So I did 'Something Happened on the Way to Heaven' and the original version is a ballad. The original Phil record is uptempo but we slowed it down and made it a ballad.

We've never performed the song live outside of recording it in the studio. That was a dream come true because Whitney, she's an icon and she's been one of my main mentors in this business.

From beginning to end it's about keeping the energy and the intensity of the story and not doing too much and not doing too little, but just enough so people stay interested and stay involved in the characters.

I always thought that it was every performer's dream. That's the epitome of being an artist, being able to express song, dance and acting in a live theatre setting and really connecting with an audience on that level.

I never take on anything that is just for the money or just for, you know. I always have to connect with it in a very personal way because I believe the audience will sense whether I'm into it or not, so I don't take on projects that I'm not really passionate about.

I really connect with those moments of doing missionary work down there and just seeing the people that are dying from disease and hunger and malnutrition.

The club shows are really intense and powerful, but for a shorter time, and the audiences are in close proximity than when I'm performing at The Palace Theatre.

It's really a grand old, legendary theatre where the spirits of like Judy Garland and all these great performers have been. The clubs are way more underground.

The record was only released in the UK, and then when the idea for the remixed album came about, which was an idea that I've had for the longest time, I said this would be great song to remix as well, and so we did it.

People see that I have my own voice, my own opinion, my own likes. The album really reflects that.

Singers like her, Patti, Tina Turner, I revere them when I'm in their presence.

My opinion is that music is music. As long as you approach doing a remix with truth, I don't see the dance remixes being any different than an hip-hop remix- it's really a different version of the song.

They've got the singles and some people have burnt them from different web sites and stuff. So it was something that we talked about for a long, long time, and I just wanted to make sure that this remix album to be really special.

Both songs are really, really intense when it comes to performing them, and very draining at the same time.

When I first heard that song, it was a ballad but it had a lot more. It felt like a gospel song when I first heard it and it just moved me.

The opportunity to record the song came when Phil Collins' record label, Atlantic, was doing a tribute album to him and they asked all these different artists to do renditions of his songs.

I picked up the Joss Stone album, Josh Groban, and the new Norah Jones. I love, love, love Norah.

We're hoping this Tuesday that there will be even more people coming out. We are hoping for communitywide support for as long as she is in the competition.

When you're angry, you know your needs, rights and opinions in a way that you don't at any other time. When you're happy or sad, you're not necessarily as aware of your individual stake in things as you are when you're angry.

I'm at a point where I'm going where the journey leads me. I've set goals but I don't get really hung up if I don't achieve those goals right away or in my time, you know what I mean?

I think it's his perception of knowing how to make a record build, keeping the integrity of the song in the music and really adding a lot of musical elements to compliment my voice and to compliment the song.

Relationship enhancement is the most productive outlet possible for anger.

We don't have choices about when we feel it. But we do have choices about what we do with it.

Where every moment is about truth and I think it's a great challenge every night. That's what really drove me to wanting to do theatre, and it's great.

I'm not supposed to miss you, I'm not supposed to care

So I place my heart under lock and key, to take some time to look after me. But when I turn around you're standing there...

I've tried that love thing for the last time. My heart says no, no! Nobody's supposed to be here, but you came along and changed my mind

I have two favorite songs. My first is called 'Dance of The Robe' and it's a very powerful number where she is feeling the pressure from her people to take on the responsibility of leading them.

We can't be friends Cause I'm still in love with you.

I think the inspiration came from the fans. Whenever I'm online or whenever I get a chance to really communicate with the fans and the audience, they always say that they would love to have all of the remixes on one CD.

I am big believer in breastfeeding. My oldest was breastfed for 9 months, my second for 6 months and I will try to nurse Kayla for 6 months. At the end of the day, it's a big sacrifice but you have healthier kids.

Look in the mirror and see who you are. Beautiful, you are.

Expressing your anger is an opportunity for you to speak clearly and honestly and enhance your relationship with your child. Unless kids see their parents or role models expressing anger, they won't know how to do it themselves.

Whatever you feel is going to be truthful and maybe some artists don't feel like their songs are, have the same impact when they're remixed.

I wanted it to feel like you were in the club and on the dance floor, so that was the approach and I think we accomplished that mission.

Some women feel less likely to lose it if they have a physical release first. When a client tells me: 'If I really let it out, we'd all burst into flames,' then I might suggest an anger workout.

It really just puts me right in that moment of the struggle that these people have been through, and I think the story of Aida represents a lot.

It's more than OK to get angry. It's a part of being really alive.

I've done that I was touring a couple of years ago with R. Kelly and the Lillith Fair, I would do the late night underground gigs as well because it's always around those times that there was a hot song, either on the radio or in the clubs, it would just be simultaneous.

Oh, it was amazing. The energy from the people, the warmth of the audience was great and it really was a really, really good show.

I just bought a bunch of CDs and downloaded them into my I-pod. I bought the Seal record, a Swahili drum album, and there's some original African drums that I listen to before the show.

I had this instinct and I just knew it. It was a very strange thing and as soon as I finished recording it, we were all in the studio saying we have something really special here.