Jessica Tarahata Hagedorn (born May 29, 1949) is an American playwright, writer, poet, and multimedia performance artist. (wikipedia)
There is real beauty in my eyes when I lose my mind.
Growing up in the Philippines, I loved all kinds of movies. We had a very healthy film industry there when I was a child. It's now gotten very limited. They only make action movies and hard-core exploitation movies. Women get raped; men get shot.
Becoming a mother has helped make me a tougher, stronger writer.
I don't know what issues concerning identity have helped contemporary fiction evolve to what it is now. All I know is that the range of voices that are being heard and published is a lot more diverse than when I was coming up.
I'm preparing for a multimedia theater piece, Airport Music, that's coming up in New York City.
It's not just NYU. There are days when I feel like I'm stranded in some upscale mall in Pasadena. Don't even get me started on the insidious transformation of Bleecker Street!
My identity is linked to my grandmother, who's pure Filipino, as pure as you can probably get. And that shaped my imagination. So that's how I identify.
Everything matters. Time is precious.
There were also horror shows on the radio. Very terrifying and thrilling to me as a kid. They had all these creepy sound effects. They would come on at ten o'clock at night, and I just would scare myself to death.
Hybridity keeps me from being rigid about most things. It has taught me to appreciate the contradictions in the world and in my life. I scavenge from the best.