Michelle Huneven Quotations

I think we all have our demons and our various shortcomings, and it would be nice if people felt more gently about other people, but also about themselves.

It isn't as if a writer merely records life as it unfurls. Reality does not automatically transcribe as literature; real people are not shapely, compelling characters to be harvested. Charming facts and sharp observations rarely slide seamlessly into whatever narrative is at hand.

My mother cooked her last Christmas standing rib roast in 1987 and died a few weeks afterward.

Writers can take offense when someone asks what's real or autobiographical in our work because, to us, that's not what counts. The bits taken from life are tiny scales on the dragon's tail - what about that whole beautiful writhing, fire-breathing dragon?

Drinking is a remarkable, automatic release and a way of relaxing.

As a novelist, I tend to know significantly more about my characters than I do about my friends.

For many years now, my source for salvific chicken soup has been the Sanamluang Cafe on the corner of Hollywood Boulevard and Kingsley Drive: crystalline broth, flecks of fried garlic, and a moist, steamed bird nesting on thick rice noodles and bean sprouts has stanched many a misery.

Lemberger's stories are marvelous compounds of scholarship, imagination and empathy. Brought to life with rich historical detail, these biblical women, sidelined and silenced for centuries, prove to be audacious, utterly relatable, and spellbinding companions.

Tanya Ward Goodman, writing with a big heart, clear eyes, and a light touch, allows us a privileged glimpse into the shabby, enchanted world of traveling carnivals, roadside attractions, and a beloved, eccentric father’s descent into Alzheimers. Just as her dad animated the handcarved, miniature western world of Tinkertown from coat hangers, inner tubes and old sewing machine motors, Tanya Ward Goodman has fashioned her complex and often hilarious memories into a beguiling, wry, and moving work of art.

Its subtlest, most appealing accomplishment may be in how other characters respond to Gregorius' precipitous swerve onto the spiritual path. (...) That said, Night Train to Lisbon is a very long, ambitious book that's feverishly overwritten. (...) Think of W.G. Sebald recast for the mass market: stripped of nuance, cooked at high temperature and pounded home, clause after clause. Some of the clumsiness derives from Barbara Harshav's inelegant translation -- we're often aware of her struggle -- but she can't be blamed for the pervasive bloat.

To find love is the great human undertaking...and it's always complicated by our compulsions and unconscious patterns, to say nothing of issues of trust and control.

I didn't want to feel such love for someone else. I still wanted to be the object of that tidal wave.

The laws of literature, like the laws of gossip, usually demand exaggeration, decontextualization, a heightened or minimalized reality, and a lot more shape and order and impact than everyday life.