Mstislav Rostropovich Quotations

The cello is a hero because of its register - its tenor voice. It is a masculine instrument, whereas the violin is feminine because of its soprano pitch. When the cello enters in the Dvorak Concerto, it is like a great orator.

You must play for the love of music. Perfect technique is not as important as making music from the heart.

You know creators, composers, need a palette for life, a color for life.

When I started learning the cello, I fell in love with the instrument because it seemed like a voice - my voice.

It is my aim, my destination in life to make the cello as beloved an instrument as the violin and piano.

Every man must have the right fearlessly to think independently and express his opinion about what he knows, what he has personally thought about and experienced, and not merely to express with slightly different variations the opinion which has been inculcated in him.

People are craving this great progress in electronics, going after computers, the Internet, etc. It's a giant progress technologically. But they must have a balance of soul, a balance for human beauty. That means art has an important role.

My mother carried me for 10 months. I asked her 'Mother, you had an extra month, why you didn't make me a beautiful face?' and mother told me, 'My son, I was busy making your beautiful hands and heart.'

The war years were the most difficult time of my life. There was real famine in Moscow. The water froze inside the houses. There was no heat.

All my life I wanted to play music with love to every member of the audience.

Music is part of history, and our history has lessons that cannot be separated from our greatest music.

Baalbek is so beautiful. It is the heart of beauty in the Middle East - I want to embrace these people with my music. I will try so hard for them. Their president is a Christian, their prime minister is a Muslim. Music is for everyone.

If I make a speech, I need a translator. But music does not need a translation. People understand me through the sound. That I think is very important. This is just one planet, like one family.

I came to Moscow when I was 5 years old from Baku. To walk all night in Moscow will bring back my youth to me.

Now I come to 75 years of age, I think what's most important in life is your conscience. If you told a lie and made other people suffer, I think that's very difficult when you reach this age.

In 1948 the first severe crash occurred in my life when Stalin put out his decree on formalism. There was a bulletin board in the Moscow Conservatory. They posted the decree, which said Shostakovichs compositions and Prokofievs were no longer to be played.

Explain to me, please, why in our literature and art so often people absolutely incompetent in this field have the final word,

Of course, I know everything that happens in Russia. But even at the most dangerous moment or the most negative moment now, it's still 10 times better than what it was in the communist state.

I listened to Pablo Casals, which was a big change for me. Without hearing Casals, I would never have advanced as I did.

I never studied, but I had the best teachers,

I played with the best conductors of the world.

Now I want to use money in a good way. I make foundations back home in Russia, I have sponsored vaccinations for more than one million children in my homeland and I have founded scholarships in the names of my great Russian compatriots - Oistrakh, Richter, Gilels, Shostakovich, Prokofiev and Schnittke.

I like coming to the United States because the United States played an important role in my life.

I know that after my letter there will be undoubtedly an 'opinion' about me, but I am not afraid of it. I openly say what I think. Talent, of which we are proud, must not be submitted to the assaults of the past.

I would rather have ideas and some difficulties of technique than a perfect technique and no ideas.

There is too much emphasis on technical perfection nowadays, and not enough on what music is actually about - irony, joy, human suffering, love.

The artist must forget the audience, forget the critics, forget the technique, forget everything but love for the music. Then, the music speaks through the performance, and the performer and the listener will walk together with the soul of the composer, and with God.