Philip Kaufman Quotations

Whatever you think of de Sade, he was a complex figure and we should not look for easy answers with him. He was, strangely perhaps, against the death penalty, and he was never put in prison for murders or anything like that.

They are always very lax about putting restrictions on violence for children's movies, which I think is much more harrowing than sexuality for children.

Similarly, the Marquis is presented in this film as someone who would disturb the status quo and therefore must be kept imprisoned.

You can have a lot of unhappiness by not having money, but the reverse is no guarantee of happiness.

To me, thoughts are fun and art is fun. The strength of our society should not be idle entertainments but the joy of pursuing ideas.

The truth is, I'm drawn to all kinds of things.

That's a little homage in a way to that and also to create that sort of creepy atmosphere that Hitchcock did. Vertigo was one of his great movies that was shot right here in The City and it's about a woman and the psychological twists and so forth.

This one, even though it called for San Francisco, I think they wanted to initially shoot part of the film up here, you know get the exteriors and then go back to L.A. We really fought to get it up here and I think Paramount was really pleased.

Whereas European films have traditionally been able to go into adult relationships. I think there's a huge audience in America for those kinds of films.

But you know, there's always a danger nowadays that films are gonna be brought up to Canada for budget reasons. And that's something that really concerns me.

What's really interesting about that is that a lot of these words that were incendiary in their time now seem almost harmless and laughable, because they have this archaic quality.

And I liked this extreme character of de Sade.

The danger is not so much in the economic structure of a society but in its intellectual structure.

I shot a lot of close-ups on this movie 'cause there's like a dual mystery, she's searching through her haunted past to find some truth and she's also following an external mystery where she comes to think she might be the killer.

It just seemed to me to be a great story, set back in its time but something that seemed to have relevance for our time. Now that the film is coming out, it looks like we're back in another time where repression of expression is all the rage.

Nowadays they either want to move the film to Canada or in some cases they go to Prague or Romania or they want to keep 'em down in L.A.

On the other hand, I think the ratings system needs some reworking. I don't think this is a movie parents should bring underage children to.

Certainly since Freudian times, we all recognize that there is something called the libido, and that there are various ways of inspiring it.

I don't think we soft-pedal anything. These stories are pretty extreme, but the way we're telling them makes them somewhat more humorous.

Is there something to be said for the writings of the Marquis? Is there something to be said for pornography? And is there something to be said against both? I hope our film is balanced and rich enough to encourage debate and discussion.

I'm interested in stories about people as we knew them in the near-recent future.

I read, therefore I'm interested in writers.

Making movies can be a creative exciting project for director and rest of staff.