Thomas Ligotti Quotations

We live in a permanent state of bad faith, a mutual representation of ourselves to one another for the sake of remaining sane and following our biological imperative to continue as a species.

To my mind, a well-developed sense of humor is the surest indication of a person's humanity, no matter how black and bitter that humor may be.

Human life moves only in one direction - toward disease, damage, and death. The best you can hope for is to remain stagnant or, in certain cases, return to a previous condition when things weren't as bad as they've become for you.

I'm completely indifferent to what genre I read provided that I feel sympathy with how a writer perceives being alive in the world.

The human phenomenon is but the sum Of densely coiled layers of illusion Each of which winds itself on the supreme insanity That there are persons of any kind When all there can be is mindless mirrors Laughing and screaming as they parade about in an endless dream

And the worst possible thing we could know — worse than knowing of our descent from a mass of microorganisms — is that we are nobodies not somebodies, puppets not people.

My grandfather felt at home with his lunatics.

Amnesia may well be the highest sacrament in the great gray ritual of existence.

Best-selling horror fiction is indeed necessarily conservative because it must entertain a large number of readers. It’s like network television. I’m your local cable access station.

I wanted to do things to Richard that would make the sun grow cold with horror.

Personally, I'm afraid of suffering and afraid of dying. I'm also afraid of witnessing the suffering and death of those who are close to me. And no doubt I project these fears on those around me and those to come, which makes it impossible for me to understand why everyone isn't an antinatalist, just as I have to assume pronatalists can't understand why everyone isn't like them.

The ‘experimental’ writer, then, is simply following the story’s commands to the best of his human ability. The writer is not the story, the story is the story. See? Sometimes this is very hard to accept and sometimes too easy. On the one hand, there’s the writer who can’t face his fate: that the telling of a story has nothing at all to do with him; on the other hand, there’s the one who faces it too well: that the telling of the story has nothing at all to do with him

Windows are the eyes of the soulless

The finest people, as people go, cannot help but betray a fair portion of fear and insecurity, even full-blown panic.

Look at your body— A painted puppet, a poor toy Of jointed parts ready to collapse, A diseased and suffering thing With a head full of false imaginings. —The Dhammapada

As for procreation, no one in his right mind would say that it is the only activity devoid of a praiseworthy incentive. Those who reproduce, then, should not feel unfairly culled as the worst conspirators against the human race. Every one of us is culpable in keeping the conspiracy alive, which is all right with most people.

What we do, as a conscious species, is set markers for ourselves. Once we reach one marker, we advance to the next.

What makes a nightmare nightmarish is the sense that something is happening that should not be. While nightmares are the most convenient reference point for this sense of the impossible, the unthinkable, as something that is actually happening, it is not restricted to our sleeping hours.

The company that employed me strived only to serve up the cheapest fare that the customer would tolerate, churn it out as fast as possible, and charge as much as they could get away with. If it were possible to do so, the company would sell what all businesses of its kind dream about selling, creating that which all of our efforts were tacitly supposed to achieve: the ultimate product -- Nothing. And for this product they would command the ultimate price -- Everything.

My imagination? No, I don't think it's VIVID at all. On the contrary, it's not nearly potent enough. My poor imaginative faculties have always needed...extentions. That's why I'm here with you. You're smiling again, or rather you're SMIRKING. Funny word, smirk. Rather like an extraterrestrial surname. Simon Smirk. How do you think that sounds?

Everything is ultimately peculiar and ultimately ridiculous.

This, then, is the ultimate, that is only, consolation: simply that someone shares some of your own feelings and has made of these a work of art which you have the insight, sensitivity, and — like it or not — peculiar set of experiences to appreciate. Amazing thing to say, the consolation of horror in art is that it actually intensifies our panic, loudens it on the sounding-board of our horror-hollowed hearts, turns terror up full blast, all the while reaching for that perfect and deafening amplitude at which we may dance to the bizarre music of our own misery.

But even if ego-death is regarded as the optimum model for human existence, one of liberation from ourselves, it still remains a compromise with being, a concession to the blunder of creation itself. We should be able to do better, and we can. To have our egos killed off is second-best to killing off death and all the squalid byplay that flitters around it. So let all lands be small, and grower smaller and smaller until no lands are left where any human footstep need press itself upon the earth.

Nature proceeds by blunders; that is its way. It is also ours. So if we have blundered by regarding consciousness as a blunder, why make a fuss over it? Our self-removal from this planet would still be a magnificent move, a feat so luminous it would bedim the sun. What do we have to lose? No evil would attend our departure from this world, and the many evils we have known would go extinct along with us. So why put off what would be the most laudable masterstroke of our existence, and the only one?

Consciousness has forced us into the paradoxical position of striving to be unself-conscious of what we are - hunks of spoiling flesh on disintegrating bones.

For optimists, human life never needs justification, no matter how much hurt piles up, because they can always tell themselves that things will get better. For pessimists, there is no amount of happiness—should such a thing as happiness even obtain for human beings except as a misconception—that can compensate us for life’s hurt.

As a survival-happy species, our successes are calculated in the number of years we have extended our lives, with the reduction of suffering being only incidental to this aim. To stay alive under almost any circumstances is a sickness with us. Nothing could be more unhealthy than to “watch one’s health” as a means of stalling death. The lengths we will go as procrastinators of that last gasp only demonstrate a morbid dread of that event. By contrast, our fear of suffering is deficient.

It has always seemed to me that my existence consisted purely and exclusively of nothing but the most outrageous nonsense.

Nonexistence never hurt anyone. Existence hurts everyone.

The only value of this world lay in its power - at certain times - to suggest another world.

Madness, mayhem, erotic vandalism, devastation of innumerable souls - while we scream and perish, History licks a finger and turns the page.

As history confirms, people will change their minds about almost anything, from which god they worship to how they style their hair. But when it comes to existential judgments, human beings in general have an unfalteringly good opinion of themselves and their condition in this world and are steadfastly confident they are not a collection of self-conscious nothings.

Officially there are no fates worse than death. Unofficially, there is a profusion of such fates. For some people, just living with the thought that they will die is a fate worse than death itself.

A: There is no grand scheme of things. B: If there were a grand scheme of things, the fact – the fact – that we are not equipped to perceive it, either by natural or supernatural means, is a nightmarish obscenity. C: The very notion of a grand scheme of things is a nightmarish obscenity.

Most people learn to save themselves by artificially limiting the content of consciousness.

The sinister, the terrible never deceive: the state in which they leave us is always one of enlightenment. And only this condition of vicious insight allows us a full grasp of the world, all things considered, just as a frigid melancholy grants us full possession of ourselves. We may hide from horror only in the heart of horror. (“The Medusa”)

No one gives up on something until it turns on them, whether or not that thing is real or unreal.

While a modicum of consciousness may have had survivalist properties during an immemorial chapter of our evolution – so one theory goes – this faculty soon enough became a seditious agent working against us … we need to hamper our consciousness for all we are worth or it will impose upon us a too clear vision of what we do not want to see … Consciousness has forced us into the paradoxical position of striving to be unself-conscious of what we are – hunks of spoiling flesh on disintegrating bones

No other life forms know they are alive, and neither do they know they will die. This is our curse alone. Without this hex upon our heads, we would never have withdrawn as far as we have from the natural—so far and for such a time that it is a relief to say what we have been trying with our all not to say: We have long since been denizens of the natural world. Everywhere around us are natural habitats, but within us is the shiver of startling and dreadful things. Simply put: We are not from here. If we vanished tomorrow, no organism on this planet would miss us. Nothing in nature needs us.

To be sane, he held, was either to be sedated by melancholy or activated by hysteria, two responses which were 'always and equally warranted for those of sound insight'. All others were irrational, merely symptoms of imaginations left idle, of memories out of work. And above these mundane responses, the only elevation allowable, the only valid transcendence, was a sardonic one: a bliss that annihilated the universe with jeers of dark joy, a mindful ecstasy. Anything else in the way of 'mysticism' was a sign of deviation or distraction, and a heresy to the obvious. (“The Medusa”)