My father was an engineer, .. But I found out that the film critics for the Stanford Daily got free passes for all the films. So I became first an assistant critic and then the main film critic. Those free passes changed my life.
I've never made the film I wanted to make. No matter what happens, it never turns out exactly as I hoped.
People gravitate occasionally to the brilliantly made art low budget films, which is maybe one out of every five hundred low budget films made.
Other writers, producers, and directors of low-budget films would often put down the film they were making, saying it was just something to make money with. I never felt that. If I took the assignment, I'd give it my best shot.
Horror films have been with us forever, so you can't say I originated that in any way, but it sort of brought back a classical way to make a horror film.
I love the process of making films and an incidental satisfaction is the fact that most of them made money.
In science-fiction films the monster should always be bigger than the leading lady.
One of the worst things you can do is have a limited budget and try to do some big looking film. That's when you end up with very bad work.
When I started in the late 1950s, every film I made - no matter how low the budget - got a theatrical release. Today, less that 20-percent of our films get a theatrical release.
Motion pictures are the art form of the 20th century, and one of the reasons is the fact that films are a slightly corrupted artform. They fit this century - they combine Art and business!