When I start writing novels, I go into them with a spirit of inquiry, rather than to substantiate prejudices I had in the beginning. If you don't do that, you can't write good characters.
That's what it feels like when I write, like I have this beautiful world in my head, but when I try to remember it in order to write it down, I change it, and I can't ever get it back.
Print is predictable and impersonal, conveying information in a mechanical transaction with the reader’s eye. Handwriting, by contrast, resists the eye, reveals its meaning slowly, and is as intimate as skin.
Inspiration comes from everything from the entire world, and its hard to pinpoint one thing. I can trace one inspiration to the writing of 13th-century Zen master Dogen Zenji, who writes beautifully about time.
When Im writing a novel, which is what I like to write, I get up early, sit zazen, make a pot of green tea. I wear wrist cuffs to keep my wrists warm and minimize irritation from extended contact with the surface of my desk. I sit down and write.
Writing a book is a way of thinking to me, the only way of thinking that I have found successful.
It takes a long time to write a book. I'm not going to spend that much time trying to deliver a message. The reason I do it is because I want to understand something myself. It's not a delivery device, it's an inquiry device. Didactic fiction to my mind never works. It backfires.
It was really a means-of-production problem. It costs so much to make films. With a novel, you can write the whole thing on a ream of paper from Staples for $4.