Anton Chekhov Two Quotations

When you're thirsty and it seems that you could drink the entire ocean that's faith; when you start to drink and finish only a glass or two that's science.

One can prove or refute anything at all with words. Soon people will perfect language technology to such an extent that they'll beproving with mathematical precision that twice two is seven.

Anyone who says the artist's field is all answers and no questions has never done any writing or had any dealings with imageryYou are confusing two concepts: answering the questions and formulating them correctly. Only the latter is required of an author.

In all my life I never met anyone so frivolous as you two, so crazy and unbusinesslike. I tell you in plain Russian your property is going to be sold and you don't seem to understand what I say.

I don't know why one can't chase two rabbits at the same time, even in the literal sense of those words. If you have the hounds, go ahead and pursue.

When one longs for a drink, it seems as though one could drink a whole ocean-that is faith; but when one begins to drink, one can only drink altogether two glasses-that is science.

I will begin with what in my opinion is your lack of restraint. You are like a spectator in a theatre who expresses his enthusiasm so unrestrainedly that he prevents himself and others from hearing. That lack of restraint is particularly noticeable in the descriptions of nature with which you interrupt dialogues; when one reads them, these descriptions, one wishes they were more compact, shorter, say two or three lines.

You are right in demanding that an artist approach his work consciously, but you are confusing two concepts: the solution of a problem and the correct formulation of a problem. Only the second is required of the artist.

we all have too many wheels, screws and valves to judge each other on first impressions or one or two pointers. I don't understand you, you don't understand me and we don't understand ourselves.

He had two lives: one, open, seen and known by all who cared to know, full of relative truth and of relative falsehood, exactly like the lives of his friends and acquaintances; and another life running its course in secret. And through some strange, perhaps accidental, conjunction of circumstances, everything that was essential, of interest and of value to him, everything in which he was sincere and did not deceive himself, everything that made the kernel of his life, was hidden from other people.

You are right to demand that an artist engage his work consciously, but you confuse two different things: solving the problem and correctly posing the question.

[Ognev] recalled endless, heated, purely Russian arguments, when the wranglers, spraying spittle and banging their fists on the table, fail to understand yet interrupt one another, themselves not even noticing it, contradict themselves with every phrase, change the subject, then, having argued for two or three hours, begin to laugh.

Each of us is full of too many wheels, screws and valves to permit us to judge one another on a first impression or by two or three external signs.

You confuse two things: solving a problem and stating a problem correctly. It is only the second that is obligatory for an artist.

My holy of holies is the human body, health, intelligence, talent, inspiration, love, and absolute freedom--freedom from violence and falsehood, no matter how the last two manifest themselves.

I feel more confident and more satisfied when I reflect that I have two professions and not one. Medicine is my lawful wife and literature is my mistress. When I get tired of one I spend the night with the other. Though it's disorderly it's not so dull, and besides, neither really loses anything, through my infidelity.

Not only after two or three centuries, but in a million years, life will still be as it was; life does not change, it remains for ever, following its own laws which do not concern us, or which, at any rate, you will never find out. Migrant birds, cranes for example, fly and fly, and whatever thoughts, high or low, enter their heads, they will still fly and not know why or where. They fly and will continue to fly, whatever philosophers come to life among them; they may philosophize as much as they like, only they will fly....

In displaying the psychology of your characters, minute particulars are essential. God save us from vague generalizations! Be sure not to discuss your hero's state of mind. Make it clear from his actions. Nor is it necessary to portray many main characters. Let two people be the center of gravity in your story: he and she.

In a century or two, or in a millennium, people will live in a new way, a happier way. We won"t be there to see it - but it"s why we live, why we work. It"s why we suffer. We"re creating it. That"s the purpose of our existence. The only happiness we can know is to work toward that goal.

I divide all literary works into two categories: Those I like and those I don't like. No other criterion exists for me.