Barbara Kingsolver Book Quotations

You always need that spark of imagination. Sometimes I'm midway through a book before it happens. However, I don't wait for the muse to descend, I sit down every day and I work when I'm not delivering lambs on the farm.

Libraries are the one American institution you shouldn't rip off.

I don't bring expectations to any of my books. I don't tell people what to do. I want to invite them in.

Quit smoking in the hope of growing old. It takes a long time to write. People go to books for wisdom and older authors tend to have more of it.

Pay attention to your passions. They are the key to starting and finishing the book you are meant to write. I don't believe in talent. I believe in passion.

How strange to read of a place in a book, and then stand on it, listen to the birds sing, and spit on the cobbles if you want.

But nothing on this earth is guaranteed, when you get right down to it, you know ? I've been thinking about that. About how your kids aren't really YOURS, they're just these people that you try to keep an eye on, and hope you'll all grow up someday to like each other and still be in one piece. What I mean is, everything you get is really just on loan. Does that make sense?" Sure,"I said. "Like library books. Sooner or later they've all got to go back into the nightdrop.

People read books to escape the uncertainties of life.

Watching Italians eat (especially men, I have to say) is a form of tourism the books don't tell you about. They close their eyes, raise their eyebrows into accent marks, and make sounds of acute appreciation. It's fairly sexy. Of course I don't know how these men behave at home, if they help with the cooking or are vain and boorish and mistreat their wives. I realized Mediterranean cultures have their issues. Fine, don't burst my bubble. I didn’t want to marry these guys, I just wanted to watch. (p. 247)

I attempted briefly to consecrate myself in the public library, believing every crack in my soul could be chinked with a book.

Write a nonfiction book, and be prepared for the legion of readers who are going to doubt your fact. But write a novel, and get ready for the world to assume every word is true.

A good title holds magic, some cognitive dissonance, a little grit between the teeth, but above all it is the jumping-off place into wonder.

A novel can educate to some extent, but first a novel has to entertain. That's the contract with the reader: you give me ten hours and I'll give you a reason to turn every page. I have a commitment to accessibility. I believe in plot. I want an English professor to understand the symbolism while at the same time I want the people I grew up with - who may not often read anything but the Sears catalog - to read my books.

I struggle with confidence, every time. I'm never completely sure I can write another book. Maybe my scope is too grand, my questions too hard, surely readers won't want to follow me here. A novel is like a cathedral, it knocks you down to size when you enter into it.

What keeps me awake at the wheel is the thrill of trying something completely new with each book. I’m not a risk-taker in life, generally speaking, but as a writer I definitely choose the fast car, the impossible rock face, the free fall.

I learned to write by reading the kind of books I wished I'd written.