Charles Stross Writing Quotations

Speech recognition is utterly crap for writing fiction. If you try reading a novel aloud you'll soon figure out why - written prose style is utterly unlike the spoken word.

If I write too much of anything for too long, I burn out on it. So it helps to vary my output from year to year.

There's a long-standing (50 year old) flame war within the field over whether it's "sci-fi" or "SF".SF has traditionally been looked down on by the literary establishment because, to be honest, much early SF was execrably badly written - but these days the significance of the pigeon hole is fading; we have serious mainstream authors writing stuff that is I-can't-believe-it's-not-SF, and SF authors breaking into the mainstream. If you view them as tags that point to shelves in bricks-and-mortar bookshops, how long are these genre categories going to survive in the age of the internet?

Publishing is the final step in making a book; if I was afraid to publish one, I wouldn't write it in the first place.

While writing a novel I almost completely stop reading books in the same sub-genre for the duration.

If I wanted to be in movies, I'd have gone into scriptwriting: the fact that I write novels should be a big hint about what I prefer to do!

Writing your own story around the same ideas is not plagiarism; at worst, it's being unoriginal.

The one thing that does happen, every time, though, is that I never get to write a book until I've already been thinking about it for a period of months to years.

I write exclusively using computers. Pens and typewriters can fsck right off - I wrote my first half million words in my teens on a manual typewriter (had to trade it for a new one due to keys snapping from metal fatigue) so I am not a pen or typewriter fetishist.

When I do get to chow down on a book, I try to read ones that are nothing like what I'm writing. So, as I'm currently working on a space opera (of sorts) I'm mostly indulging in urban fantasy.

I reckon I can count on 30 more writing years, averaging a book a year (I can't keep up the 2-2.5 a year I used to do these days). And these days I've gotten round to wondering, for each new idea, "do I want to be remembered for this?" before I get to the point of spending a year on it.

If an idea is compelling enough it'll stick in my head until I am forced to write it. If it's forgettable, who cares?

No two books come out the same way. Some I write by the seat of my pants; others are planned in minute detail.

I like lassic British spy thrillers. Seriously. If the cold war was still on, that's something I'd be writing.

Writing novels takes up about 100% of my available working time.

Most established novelists are writing books informed by experiences gained in their youth. Middle age is not the best time to be changing smartphones every six months or adopting new technology platforms - because we tend to get slower and less accommodating to change as we age.

I write almost entlirely on Macs, because: Windows gives me hives.

I have time to write 1-2 novels per year, and get roughly novel-sized ideas every month. I have to perform triage on my own writing impulses.

It's usually quite easy to shrug and write something else instead.

For someone who is starting out on developing their critical skills, just being aware of its existence is great: it can make the difference between trying to write a story around a cliche or an original idea, and better still, studying it can eventually clue you in on how to breathe new life into tired tropes.

What I read: while I'm writing, I tend to go off reading fiction for relaxation - especially the challenging stuff. It's too much like the day job.

Fiction is about human beings, first and foremost. (It's not impossible to write fiction with no human protagonists, but it's very hard to keep the reader interested ...)