I wasn't a trained actor, I was trained in musical comedy theater, and when you do that, the audience is completely part of the thing. It's like Elizabethan theater. You play the scene, and then you turn - the audience is part of it.
As an actor I'm rather hit and miss, I throw a lot out there, and some of it works and some of it doesn't. But this is a nice part.
My background is in musical comedy. I didn't know I was going to be an actor. But all my points of reference have to do with musical comedy and in being kind of a showoff.
I certainly have never been an actor who can play the Everyman guy - or, I don't tend to get those parts. I've tended to play eccentrics. I've played a lot of villains, of course.
I became an actor by accident. I suppose I figured since I was in musical comedy from the time I was a teenager, I suppose I figured that I'd always been in that world to some extent.
One of the difficult things about being an actor is to stick around.
If you're an actor, a hard thing is to stick around, to stay viable. I try to do that by taking the opportunity to do something different every once in awhile.
Obviously an actor draws on his own experience.
It's what actors call a big, juicy part, when you're a leading man. I don't get a lot of those. I get a lot of supporting things.
It's interesting - a lot of good actors are good mimes. But I'm terrible. If I tried to do an impression, nobody would know what I was doing.
In my personal life I'm very conservative. I've been married to the same person for nearly 50 years, I'm scrupulous about paying bills, avoiding debt. I'm very careful. But as an actor I'm pretty reckless. I've done a lot of things that, when I see myself on screen, I have to shut my eyes. And I've made a whole bunch of movies that nobody sees, including me.
There probably aren't a lot of actors my age who tap dance.
I was never a child actor. I was a child performer.
There's an impression that actors make a lot of choices. I just take what's there.
I became an actor by accident.
An actor really is a kind of intermediary between an audience and the piece, whether it's a play or movie.
As an actor you become that lighting rod between the person who made the play and the audience.
Emotional power is maybe the most valuable thing that an actor can have.
I come from a show-business family, so wanting to become an actor never crossed my mind. It was just a part of my life.