Don DeLillo Writing Quotations

I quit my job just to quit. I didn't quit my job to write fiction. I just didn't want to work anymore.

I didn’t do anything. I don’t have an explanation, I don’t know why I wanted to write. I did some short stories at that time, but very infrequently. I quit my job just to quit. I didn’t quit my job to write fiction. I just didn’t want to work anymore

You become a serious novelist by living long enough.

It was only when I found myself writing things I didn't realise I knew that I said, 'I'm a writer now.'

I don't want to do the type of writing where I recite biography, parentage and education. I want to rise up from the words on the page and do something, hurt someone.

He wanted paper and something to write with, some way to sustain a thought, to place it in the world.

I am ashamed every day, and more ashamed the next. But I will spend the rest of my life in this living space writing these notes, this journal, recording my acts and reflections, finding some honor, some worth at the bottom of things. I want ten thousand pages that will stop the world.

In fiction, I tend to write fairly realistic dialogue-not always, and it tends to vary from book to book. But in many books, there is a colloquialism of address. The characters will speak in a quite idiosyncratic way sometimes.

For me, wellbehaved books with neat plots and worked-out endings seem somewhat quaint in the face of the largely incoherent reality of modern life; and then again fiction, at least as I write it and think of it, is a kind of religious meditation in which language is the final enlightenment, and it is language, in its beauty, its ambiguity and its shifting textures, that drives my work.

I would never write in response to what I believe the public wanted or needed.

I am not comfortable with abstract writing, stories that look like essays: you have to see, I need to see.

I saw a photograph of a wedding conducted by Reverend Moon of the Unification Church. I wanted to understand this event, and the only way to understand it was to write about it.

That's how you write novels actually. You suddenly hit upon something and you realize this is the path you were meant to take. You'd be a fool if you didn't follow it. Perhaps it's like solving a difficult question in pure mathematics. There must be a moment when the solution is so simple and evident that you wonder why you hadn't come upon it before. When you do come upon it, you know it in the deepest part of your being. It carries its own logic.

It's impossible to write about the Kennedy assassination and its aftermath without taking note of twenty-five years of paranoia which has collected around that event.

It was only after two years' work that it occurred to me that I was a writer. I had no particular expectation that the novel would ever be published, because it was sort of a mess. It was only when I found myself writing things I didn't realise I knew that I said, 'I'm a writer now.' The novel had become an incentive to deeper thinking. That's really what writing is—an intense form of thought.

I don't know what I think about certain subjects, even today, until I sit down and try to write about them.

Writing is a concentrated form of thinking.

Writing is a form of personal freedom. It frees us from the mass identity we see in the making all around us.

Writing is a concentrated form of thinking...a young writer sees that with words he can place himself more clearly into the world. Words on a page, that's all it takes to help him separate himself from the forces around him, streets and people and pressures and feelings. He learns to think about these things, to ride his own sentences into new perceptions.

In my experience, writing a novel tends to create its own structure, its own demands, its own language, its own ending.