My grandfather had come over as a member of the czarist army, to make an arms deal with the British government. Being a blinkered military man, he was unaware that the Russian Revolution was about to take place.
When I'm choosing projects to be a part of it's always a combination of so many different things. The primary thing is the director. But a very important element is, is it different enough from anything else I've ever done, or what I've last done.
I have to say, without sounding like a total tosser, that everything I've learned in life, and that has taken me out of my natural interior life, has been with men. They exposed me to things that I wasn't aware of. I learned from all the guys.
I love men that love women. Morgan Freeman, who I worked with on 'RED,' was very flattering to me. But he is flattering to all women. He is a woman-charmer.
American actors who voice animated movies are so brilliant at it, because by the nature of American speak, it's full of energy and full of commitment. And as a British actor, we have to kind of learn that.
As you get older naked stuff [on film] gets easier. It's more to do with the role than what men in the audience think. There's a liberation about it.
In Shakespeare's day it was women who were being burned at the stake as witches... not men. The men were thought of as alchemists. But women doing the same thing would be a witch and would be burned.