Professionally, I don't necessarily have to adhere to a certain dress code. However, I think that comfort is crucial. Otherwise, you won't be able to have fun and express yourself.
I never really expected "Hurricane" to be censored and banned around the world, but I think the good thing that came from it was that it created a dialogue, a conversation, a debate and a discussion. And that's a great thing. It brought all of us together in a unique way. And it made us look a little deeper in ourselves. I think it's a good thing.
I'm constantly failing, but not upset about it. I think there's a great deal to learn from that.
The idea that I would ever end up on David Letterman or Jay Leno is horrifying. I am such a freak in comparison to most other twenty-five-year-old guys. I have no idea what other people are thinking. I’m not really in touch.
I think I remember from the offset I said, 'I've visited this territory. This isn't for me.' And then I read the script and I said, 'You know, this is completely something different. This is a whole new life.'
I'm pretty healthy so I think that helps a lot. I've been that way for a long time - 20 solid years of eating vegetarian/vegan and taking care of myself. That probably helps the preservation process.
I tend to just go for it, and not worry about what people think, and just really try to have fun with things.
I think when Tom Ford was there I borrowed a Gucci tux one time, and they were very nice and he was very kind.
I think what a big part of 30 Seconds to Mars is, it's not only music, it's not only art, it's a community. It's a sense of having a place to belong. And not everybody will understand it, and that's ok, it's just for the people that do.
I kind of follow that when I get dressed. I think if it's comfortable and it's cozy and it kind of makes you feel good, then those are good reasons to wear something.
I never think people are cheeering for us. In fact, i don’t really hear them at all.
I think that to explore the uncomfortable and the politically incorrect is the job of the artist.
I just think it's really important to be yourself and not trying to be something you're not.
I’ve always liked Saturn. But I also have some sympathy for Pluto because I heard it’s been downgraded from a planet, and I think it should remain a planet. Once you’ve given something planetary status it’s kind of mean to take it away.
I think people would be surprised by his [Alessandro Michele] humility.
This is an industry [high fashion] that has an abundance of over-confidence. I don't think anyone would dispute that, and I'm not trying to pick on anybody, but that's just a fact, right? And sometimes that's fun.
A little ego can be quite entertaining. But [Alessandro Michele is] a very humble, gentle, kind person. And I think that his humanity would probably surprise a lot of people, because he's so confident and bold in the choices that he makes.
Never think about something wrong you did in the past, always look forward with your head up high; have no regrets.
I like to think that people can see that and appreciate that idea and then, by some mechanism of wearing the fragrance, sort of carry that idea with them in their own life. Whether it's a weekend in Louisiana or in New York City or in Venice, Italy, or wherever they may be. I think there's something kind of fascinating and powerful about that.