When Fortune comes, seize her in front with a sure hand, because behind she is bald.
Affective gestures pointing to things near either in time or space should be made with the hand not very far from the body of the person pointing; and if these things are distant, the hand of the painter should be more extended and the face turned toward the person to whom he is addressing the demonstration.
Putting your hand into a river, you simultaneously touch the last of what is passing and the first of what is coming.
I love this site. It was lovingly hand-shaped it. Your soul transformed this into this art. It was perfect. I have tried to create another equal to it... but to no avail, so I will just have to paint the Sistine Chapel.
To make a perfume, take some rose water and wash your hands in it, then take a lavender flower and rub it with your palms, and you will achieve the desired effect
In fact, whatever exists in the universe, in essence, in appearance, in the imagination, the painter has first in his mind and then in his hands ... it lies in his power to create them . . .
You grow in reputation like bread in the hands of a child.
When you are painting you should take a flat mirror and often look at your work within it, and it will then be seen in reverse, and will appear to be by the hand of some other master, and you will be better able to judge of its faults than in any other way.
The young man should first learn perspective, then the proportions of objects. Next, copy work after the hand of a good master, to gain the habit of drawing parts of the body well; and then to work from nature, to confirm the lessons learned.
Where the spirit does not work with the hand, there is no art.
When you put your hand in a flowing stream, you touch the last that has gone before and the first of what is still to come.