Moby Song Quotations

Most artists, you know, you spend their entire lives learning how to play music and write songs, and they don't really know how the music business works.

A great song is a great song, whether it's on vinyl or CD or cassette or reel to reel or mp3. Then again, that might be an overly optimistic view, but I do think that great music will transcend the medium in which it is delivered.

When playing big festivals, I tend to play big, over the top techno tracks, like hands in the air songs that make sense being played in front of 30,000 people. I steer away from subtlety in the interests of big bombastic dance music.

I don't think there's anything wrong with not knowing how to play an instrument, but the rise of the non-musical producer has done away with musicianship and focused attention purely on the song's hook.

I'm like a bad musical cliche because I bring my guitar on the road and try to write songs in hotel rooms.

I feel like once the song is done, you put it out there and if people want to do bizarre remixes, if people want to make strange videos, great. You know, like chaos theory applied to the music business.

Some of the songs I've made, I'm really disappointed in how I mixed them.

In the course of my life, I've made some happy songs but it's the more sort of like pathos-laden, emotional, melancholic music that either I make or that other people make that really resonates with me.

A lot of people do talk about the demise of the album, but I still believe that if an artist tries hard to make a great album, people will buy it and listen to it as an album, rather than just a collection of random songs.

If I'm walking down the street and someone stops me and says, "Oh! A song that you wrote meant a lot to me, and I listened to it after I went to my sister's funeral," that's when it hits me.

There are certain songs that if people come up to me and tell me how much that song meant to them, I think, You should have better taste, then, because I don't really like that song.