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When I was playing piano, it was like, 'I'm going to write a song using all the white keys.' My music director, who knew my jazz background, suggested I try big-band music, so we spent a year experimenting with it in concert, and the audience reaction was really good. John Tesh
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We're going to sing our fight song and alma mater. Our goal is to make it the best first day of school ever. Rich Gaffney
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We're going to have all the old members there, playing the songs that were popular during the time frame that they were in the band. We're going to take people through 25 years of Dixie Express in an 8-hour period.
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We're going to go and play the songs one more time. It seems like the right time, so I figure we'll go out and play a few gigs and see where it goes. I think we might just show up in assorted places in the U.S. in the next few months without much notice and play some clubs and little theaters, and then go to Europe and play these festival gigs. Beyond that, we don't know at this point. Sean Kinney
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Benny and Bjorn, I suppose, already had an idea of which one was going to sing the lead. I mean, they knew perfectly well our ranges and which kind of voice they wanted on a specific song. And sometimes, I envied the choice of Agnetha, I must admit. Frida Lyngstad
band formed great growing heard songs
When we formed the band in 1970, we set out to try to write great songs like the songs we heard when we were growing up, Eric Carmen
collective easy familiar songs
We write what we know about. It's easy to write songs about things you're familiar with. We're all collective writers.
certain ordinary people songs
We write songs about ordinary people, not people that have a certain haircut.
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We grew up so much we had to limit it to two songs per person.
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When I was mixing the album I was just cheering it on, ... I was actually getting to put myself in a position of observation of listening to the band, watching it, experiencing it probably closer to a fan thing than I've ever had the ability to do, or that I've ever let myself do. And I was just like, yeah, George is getting it on. And that's what you want for anybody's performance. John Bell
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When we began to consider the type of play-by-play announcer that we wanted to lead our BCS coverage, we knew we needed someone that would look at this as something more than a job, and for that, we didn't have to look very far. Thom's passion and enthusiasm for college football, combined with his big-game voice, made him the perfect choice. I am positive that college football fans from coast-to-coast will enjoy listening to him next January.
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When we heard it, listening to TV, we scratched our heads and said has anybody heard of this definition before, because it was something new to us. It wasn't our business to know this stuff, working with the commission's definition, ... Subsequently, when they made their amendment, we searched through their minutes and figured it out, but that was after the fact.
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We found in Egypt a listening ear to the complexity of the problem, ... I clarified that we are ready to do what is necessary to achieve an agreement, but we have important interests, and an agreement will only be achieved if the other side demonstrates openness, seriousness and responsibility. Ehud Barak
mind listening mouths
And he goes through life, his mouth open, and his mind closed. William Shakespeare
teenager fall listening
As a teenager I was very clear that I wasn't in the church just to toe the line, but I saw there was a capacity within Christianity and the bible not to fall into line but to question the status quo, that's what kept me in the church. I was listening to the sort of music that did that questioning. Alan Green
waiting listening connections
If you don't listen deeply, the connection won't take place.... [You have to be] willing to be changed by the person you're listening to, where you're not just waiting for a pause so you can say your thing, but you're actually letting them have an effect on you if they can. Alan Alda
listening important actors
When I started out as an actor, I thought, Here's what I have to say; how shall I say it? I began to understand that what I do in the scene is not as important as what happens between me and the other person. And listening is what lets it happen. It's almost always the other person who causes you to say what you say next. You don't have to figure out how you'll say it. You have to listen so simply, so innocently, that the other person brings about a change in you that makes you say it and informs the way you say it.
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Listening is being able to be changed by the other person.
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We've always known there was a reason to keep all these original masters. We've never erased a single tape from any show we've ever done. We've just about run out of space to store these tapes, but they've turned out be gems. We're proud of these old shows and we think they deserve to be seen by new generations of fans and people that have been fans all along.
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We remixed them in 5.1, which doesn't sound like much, but let me tell you it's really a crazy, complicated thing to take these things that you did almost 15 years ago and revisit 'em in this format that only became available a couple years ago. A lot of bands can't do that because they don't have their own recordings. But we've always recorded ourselves, so it's a matter of me just going to the back room and grabbing the tapes and sort of putting them back on the reel. It's a weird treat. Wayne Coyne
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We're going to go back and look at tape and try to find the mistakes that we made tonight and fix them. We're going to continue to work and get ready for the next round.
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When we consider Iran, Nigeria and now the tape from Bin Laden, the terror premium must be put back into the price.
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Wharton was my only choice to co-produce this project with me. I want to get back to my roots with this release and what's really cool is that we are actually using the same tape machine that we recorded our first two albums with. The whole thing is also going to be done in all analog to give it that classic Helmet sound. We're very excited about it. Page Hamilton
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What I actually thought of then, ... was the tape that's replayed about five million times every time there's a rain delay here at the Open, when Jimmy Connors says, 'This is what they came for; this is what we'll give them.' James Blake
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What made that fight extraordinary was not just how action-filled it was, but the high level on which it was fought. I've watched the tape about five or six times, and every single time, I'm amazed. I just can't believe what they did. Al Bernstein
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Unless the United States demonstrates a legitimate reason why these recordings are essential to an issue in dispute either in the guilt or penalty phase of this case, these tape recordings should not be admitted at trial,
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We feel that they are a physical type ball club. From what we have seen on tape they are going to lineup and mash you.