He was very down-to-earth and had a wonderful kind of...

He was very down-to-earth and had a wonderful kind of comfortably cynical sensibility. The way to get his back up was to say, 'I'm not sure about these two prints. Which is the best investment?' He would just say, 'You're in the wrong place.' He hated that people would buy art as an investment. He thought you should buy it out of love. He made a living, but he was not a highly commercial dealer. He wanted to do it his way.