Indie Rock Quotations

When I started out as a music journalist, at the end of the 1980s, it was generally assumed that we were living through the lamest music era the world would ever see. But those were also the years when hip-hop exploded, beatbox disco soared, indie rock took off, and new wave invented a language of teen angst.

But, then again, I wouldn't call myself an indie-rock supporter even if there are some really good bands out there and there will always be some real good new bands.

I put on the Hank Williams and the Patsy Cline and the Rosemary Clooney on vinyl - I'm not trying to be some cool indie-rock person, I just love the way it sounds - and throw on a T-shirt and jeans. In Texas, we practically come out of the womb in jeans.

The second 'Postal Service' album is threatening to become the 'Chinese Democracy' of indie rock. It will come out eventually, or maybe it won't.

A lot of the music I listen to is indie rock. It's not on the radio.

I really do listen to all types of music, not only rock, but everything from good pop music - which is usually older pop music - to RB and indie rock. I love indie rock more than a lot of the commercial stuff that you'd expect.

I do get the sense sometimes that if I draw things too nice, maybe I won't be indie-rock enough anymore.

I guess my music taste is pretty predictable: I like new indie rock stuff, older stuff.

I've always found that whatever you say about indie rock, it is the most inclusive genre or title for anything. It doesn't pin you down too much, like other labels would. It's just newer, it has less baggage.

What's cool about indie rock is that one band can do effectively the same thing as another band, and one band nails it, and the other one doesn't. I like that elusiveness.

I have a car in Nebraska. When I bought it, they gave me a satellite radio, and there's an 'indie-rock' station. It's just nothing I'm interested in.

I like the glamorous indie rock look, like The Libertines. But you know, without the heroin needle sticking out of my arm.

I'm like the Fugitive, running from the one-armed indie-rock community!

Now that the generation that grew up on '80s indie-rock has attained influential positions in the culture, that music is the new yardstick. And that will shift yet again some day.

This indie rock stuff, I mean I like it, too - it pushes all my buttons: sex appeal, dissonance. It's emotive, disenchanted.

Even the indie rock world - which is supposed to be about truth and independence from corporate mindfulness or something - is totally subject to the paraphernalia of celebrity.

Licensing is how indie rock people make a living these days, so whatever about that. But I want good films and good placement for the songs because I want to be exclusive. I don't want to just sign it away because I don't want songs to lose meaning, but I'm also...I don't care [that] Wilco sold songs to Volkswagen. That's great. They probably drive Volkswagens.

Indie rock is just as susceptible - if not more susceptible - to all the gross things about people becoming total ass clowns in music, and only worrying about money and image. I'm not interested in being a part of that.