Shot Quotations

Someone told me that they didn't want to take a flu shot because they didn't want to put a foreign substance in their body. What do they think they do at dinner every night?

Being in Vietnam and being around a major story of the time was always a great shot of adrenaline.

I love working in television, and I've been thrilled to be a part of so many wonderful shows. I worked with Lady Gaga on 'Gossip Girl,' and the brilliant Felicity Huffman on 'Desperate Housewives,' but I think my favorite TV job so far was the pilot I shot for the CW Network this year called 'Joey Dakota.'

The large ensemble cast and the fact that it was being shot in New York, combined with a lot of strong positive images as far as African Americans are concerned, really turned me on to The Best Man.

Watching yourself on screen is always a little weird, but I didn't cringe when I saw myself on 'The Hour.' It actually exceeded my expectations; every shot looks like a vintage postcard and even my most brutally honest friends have said they think it's good.

I think myself I ought to be shot for writing such nonsense... But it's unquestionably good escapist literature, and I think I should rather like it if I were sitting in an air-raid shelter or recovering from flu.

We shot ten minutes of the movie, and now we're looking for completion funds.

'The Night of the Living Dead' zombies, I think I might have a shot at surviving. If they're the fast ones, I may have well just give up.

By the time we reached Virginia City I was considered a remarkable good shot and a fearless rider for a girl of my age.

It was a fine cast and lots of fun to make, but they did the damn thing on the cheap. The backdrops had holes in them, and it was shot on the worst film stock.

If you call on God to improve the results of a shot while it is still in motion, you are using 'an outside agency' and subject to appropriate penalties under the rules of golf.

Do your best, one shot at a time and then move on. Remember that golf is just a game.

Obviously, losing a parent is very difficult. I miss my dad every day, but I know he would be proud to see me continuing to swim and going for another shot at the Olympics.

Our present time is indeed a criticizing and critical time, hovering between the wish, and the inability to believe. Our complaints are like arrows shot up into the air at no target: and with no purpose they only fall back upon our own heads and destroy ourselves.

I love the Warner Brothers lot. There is so much history there. They've done such a smart thing. They have signs outside of each stage which tell you what movies and TV shows were shot inside. So cool... you can almost feel the ghosts of actors past.

The people of Texas are rightly proud of their own, just like the French and the Italians, but visiting artists have often been given a shot in the history of art.

'Dark Knight' shot in London and Chicago, and we were on that for so long.

I can speak to actors in their terms. Knowing I was an actor, they relax. You can have the best shot in the world - but, at the center of it, you still need a good performance.

You gotta learn that if you're gonna take the last shot of the game, it's either gonna go in, or it's not gonna go in, and you're either gonna be the hero or the goat.

When Frank the Pug is singing I Will Survive, the only reason it's funny is that Will is in that shot trying not to get angry. A shot of a dog singing I Will Survive on its own will not get a laugh.

'True Blood' is shot on film. It's more like a movie, and they take more days to shoot it, plus it has an hour of content. 'The Good Wife' is network. They're shooting on HD. It moves quicker and they only have forty minutes of content instead of a full hour. Not to mention the difference of shooting, you know, rated-R stuff!

The scene we shot with Charlie Rose was actually the last piece that was ever shot for 'Breaking Bad.' My daughter and I flew to New York; we got to shoot in the 'Charlie Rose' studio. Adam Godley and Jessica Hecht are such expert performers that we were able to get it very beautifully and very quickly.

In the next shot the cameras zoomed to the fiancee who noticed the lights in the Czarina's room go out and the camera then turned to the pond where two goldfish were making love.

I shot a Metallica video in Hollywood, and there were, like, 100 people on set. There was even a guy there to put antiseptic gel on my hands. Amazing. If I asked for that on a Danish set, they'd probably kick me out of the country.

We've had drive-by shootings. I've been spat on, slapped, shot at. One guy tried to stab me with a broken beer bottle. But the way we look at it, if people do the worst they can, we'll still wake up in glory.

With 'Eagle of the Ninth,' every shot was extremely planned and organized. The director was like, 'Do this!' And I say, 'How was it?' and he says, 'Good.' It was very odd. I would never know where he was headed, or even if he was shooting me at a close-up or from a distance.

Theses officers were good friends, so it must have been a terrible argument, because the one who played chess with my father was so angry that he walked over to the dentist's house and got the dentist out of bed and shot him.

There are two things that give me perfect happiness - doing the perfect shot and travelling. I get stressed, really stressed by the fact that there is just so much to see and I am not going to live long enough to visit all the places I want to.

I shot all my stuff on 'Arrested Development' in one day, and was brought into a really well-oiled machine. 'Cause it was the last season, and they were wrapping up a lot of stuff because they knew at that point that they weren't coming back. There seemed to be kind of a freedom, and certainly the cast had a great amount of camaraderie.

I actually didn't really go to college. I enrolled and never showed up. Being on a college campus where we shot some of the scenes in 'The Goodwin Games'... it did make me wish that was an experience that I had.

An artist's creative energy is ephemeral as a flower. It blooms and soon dies. No artist is great forever. Personally, I think I reached my peak in 2004 when I shot 'Samaria' and '3-Iron'.

Some people would ask: 'You are not the one who does the painting, or shot the work, how can it be your work?' But I was the one who chose which site we should use, and which assistant helps me to do the painting, or the shot.

People feel repressed by their own governments; they feel unfairly treated by the outside world; they wake up in the morning, and who do they see - they see people being shot and killed: all Muslims from Afghanistan, Iraq, Somalia, Sudan, Darfur.

My death scene in 'The Salton Sea' is really weird. I mean, I get shot in the head. What experience can you possibly draw from? There's nothing you can compare it to, really.

Poor Andy Nave was killed. He refused to surrender and was shot by Dick Fields. I felt sorry as he used to be quite friendly towards me before the war, but it could not be helped.

My dad moved to London in his early 20s and didn't really go back. So the irony is I've spent lots and lots of time in Ireland, but not with my dad. I've shot films in Belfast, where he's from. And I've shot in Dun Laoghaire. Which is great. And I've shot in Dublin.

If everyone's ready for a shot to start, except for one actor who's intent on getting to the bottom of their soul, it can be a bit annoying.

'Saving Grace,' even though fictionally it was set in Oklahoma, we shot it right outside of L.A.

The reason that minorities and women don't have a better shot at getting elected to the Senate or to statewide office is because the campaign finance rules are so skewed as to make it very difficult for non-traditional candidates to raise the money necessary to get elected.

Like any director working today, I started out when somebody took a shot at hiring me. It's how we all start out - male, female, white or minority.

We shot 'Skateland' in the end of 2008, in Shreveport, Louisiana just between the border of East Texas and Louisiana - and we shot 'Battle: Los Angeles' at the end of 2009, also in Shreveport. So I know a lot about Shreveport.

You never hear about a pit bull doing anything good in the media. And they have a stigma to them... and, in many ways, pit bulls are like young African-American males. Whenever you see us in the news, it's for getting shot and killed or shooting and killing somebody - for being a stereotype.

We also shot at a location that was an Aboriginal sacred ground for the shots coming up the cliff.

My aunt is a newscaster in Lubbock, Texas, and she got a letter that said, 'Natalie Maines will be shot dead at their show in Dallas, Texas,' with the date of our concert. It was freaky to see that in writing.

I cut a rap song once. It was a few years ago for my old show 'Buck Commander,' and it was a song called 'You're Short.' It was about my camera guy. We shot the video in Las Vegas, 'Ocean's Eleven' style!

I always felt that if someone shot me, it would be great for the environmental movement, because they would make me a martyr. Our biggest fear was our children, because there was a tremendous amount of threat and intimidation, and my wife was terrified that the children might be grabbed or assaulted in some way. That was the real fear.

You can't swing with hesitation; you can't try to steer the ball to the flag; you can't worry about that water hazard as you take the club back. You have to pick the right club, visualize the shot you want to hit, and then focus on that shot until the ball is gone.

Most of us don't have to worry about being shot if we poke our noses outside. So we are comfortable, but the people I'm writing about are definitely not comfortable, and being shot while they're still inside is a good possibility.

Well, I'm using a cane, so what? So what if they shot me sitting in a wheelchair? That's life!

You have to think about why you're asking an audience to come to the theater. It's not that they should come because it's good for them, because it's the vegetables that they should eat and the culture shot that they should get... It's about experience and building community and catalyzing dialogue and bringing people together.

As kids, we have all handled shot guns. From there on, there is no transition. It stays in the toy box. The idea is to get the transition and bridge the gap between the toy box and the shooting range.

People don't have a constitutional right to leave loaded guns lying around. And if they choose to do so - and a kid gets shot and killed because of it - it's not an accident. It's negligent homicide.

I had a hard time with that hockey. I hadn't grown up skating, so that was my biggest challenge. We worked on it and worked on it. But then when we first shot it, it was so hard for me.

Then I heard another shot which hit him right in the head, over here, and his head practically opened up and a lot of blood and many more things came out.

I'm a New Zealand actor, and I really want to be doing our stuff here, and our stuff includes plays from overseas. In terms of survival, maybe I should have taken a shot elsewhere at some point, but it gets back to the same theme - we should have our own people telling our own stories.

That's a little homage in a way to that and also to create that sort of creepy atmosphere that Hitchcock did. Vertigo was one of his great movies that was shot right here in The City and it's about a woman and the psychological twists and so forth.

I started movies in 1980. I don't think anything's changed for the best. When it comes down to certain technologies and certain things that have afforded more people to maybe have a shot at making a movie or something like that, that's good. But you also end up with 50,000 times the amount of bad movies, because now anybody can make a bad movie.

We have an uncanny ability to make birds do what we want them to do. In Blood Simple there's a shot from the bumper of a car and it's going up this road and a huge flock of birds takes off at the perfect moment.

Of course I've had a bunch of broken bones, sprains and I've had five or six concussions, with three serious ones. I also got a real heavy duty blood clot and internal bleeding from where I was shot in the stomach with a beanbag bullet that the police use for crowd control. I've also had six stitches in my head.

How a piece ends is very important to me. It's the last chance to leave an impression with the reader, the last shot at 'nailing' it. I love to write ending lines; usually, I know them first and write toward them, but if I knew how they came to me, I wouldn't tell.

I don't know how many lions and leopards I've shot. I've shot two elephants, which was enough - never again. It's a melancholy and moving thing to hunt an elephant. It's like shooting an old man.

I expected to be shot at any moment and if they had done I would have understood, that they couldn't take risks with someone foolhardy or so unpredictable.

The big difference between the radio show and the TV work is that I don't have to work by committee on the radio show. I'm the DJ; I can play what I want and suffer or get praised by that. With a TV show, it's much more of a collaboration, and the song that I might think is perfect may get shot down and vice versa.

I'm fighting for the Commonwealth title on Saturday and I believe I'll be ready for a world title shot in the next 18 months.

I remembered watching the film from Alfred Hitchcock, 'Dial M for Murder,' and he shot almost all of that movie in one room. There was a genius in what Hitchcock did by manipulating things in that room so that you could see the distances between things like the tables and the vases because of how he used perspective.

Most amateurs are so worried about mis-hitting the shot or hitting it off line, they don't make an aggressive move. You'd be surprised how much better your swing will get if you let your natural athletic ability shine. So go after it.

The obituaries shot up to the top of my list when I discovered Robert McG. Thomas, the 'Times' obit writer who redesigned its traditional form and added a measure of stylistic elegance.

Especially in wind, each shot and stance can feel different, so it's important to first get comfortable.

In the second installment, I pretty much dominate the show. Somehow or another, though, I manage to apparently dominate the first show pretty well with just my voice and my hands and a shot of my boots kicking cartridges out of the way.

In 2012, I received a phone call from the family of Arsala Rahmani, the Afghan senator with whom I'd become friendly. That morning, a gunman had pulled up alongside Rahmani's vehicle, idling in a crowded intersection, and shot him point blank.

I did nine months in 'Mrs. Klein' in New York, then four months on the road. Then I did a movie directed by Philip Haas, who did 'Angels & Insects'. We shot 'The Blood Oranges' in Mexico for six weeks.

I have new bodyguards ever since I got a TV show. I didn't know, but it's a lot like becoming president. They tell you every single secret, like who shot JFK. When you have a TV show, they not only tell you who shot JFK, but they assign you bodyguards.

Everybody has terrible things that they deal with. Everybody. Just because you're some big shot rock star doesn't mean you're immune to having these awful tragedies in your life.

It might sound odd, but I want to thank Michael Bay because he's been saying how important it is to show 3D with the right luminescence. And that's very important for this film, a lot of which was shot at night or with very low illumination.

I loved my experience on 'Downton Abbey.' We shot it in six months, and it was the first time I'd ever been on TV, and I was surrounded by my friends. It was a wonderful, wonderful time.

When people say they prefer organic food, what they often seem to mean is they don't want their food tainted with pesticides and their meat shot full of hormones or antibiotics. Many object to the way a few companies - Monsanto is the most famous of them - control so many of the seeds we grow.

So much of it is the design of the shot or the motion of the character; it's the work you do so that it has the same things that are in the movie. In just a few frames it's got to communicate something clearly and dramatically.

Because of the long, long history of British shipping, immigration, trade, empire, missionaries, you can have a better shot at telling a worldwide story in the British Museum's collection than any other. Britain has been more connected with the rest of the world than any other country, for longer.

You only get one album. You only get one single. You get one shot in music. But I have a million different dreams. Why can't I go out and try to achieve them all? Who are you to say I can't?

Some day we're gonna have interactive television where you can pick the shot that you want. You can watch defense, or you can watch the end-zone shot, or you can watch an isolated shot of Terance Mathis or whoever you want to. Because right now, the only thing that you watch is what the producer or director decides to show you.

I shot a lot of close-ups on this movie 'cause there's like a dual mystery, she's searching through her haunted past to find some truth and she's also following an external mystery where she comes to think she might be the killer.

The intention was to shoot short films that can exist as shorts independently, but when I put them all together, there are things that echo through them like the dialogue repeats; the situation is always the same, the way they're shot is very simple and the same.

You don't really know how your film is going to turn out, but you can give it your best shot and hope the audience loves it. This has been my approach right from the beginning, and it's helped me a lot in my journey. All you can do is give the film your everything.

As you may possibly have noticed from time to time, I have tended to make a habit of sticking my head above the parapet and generally getting it shot off for pointing out what has always been blindingly obvious to me.

'Little Miss Sunshine' snowballed. It was a tiny movie. We shot it in 30 days, and it was really fun to do, but it was one of those small movies that you don't hold out huge hope for.

I'm just so grateful for the 10 years that I had in Sri Lanka when it was in the middle of a war and I was getting shot at, because now and again I remember glimpses of those times, and I just go, 'Wow, I'll never, ever see that again in my life. And I'm never gonna feel that, and I'm never gonna feel for a human being like that.'

Later we learned that it was one of our own men hanging on the wire. Nobody could do anything for him; two men had already tried to save him, only to be shot themselves.

I did put on weight for the last half of the film, but the Ferris wheel scene was shot with a harness on me so that if I fell I wouldn't fall all the way.

I actually think acting is a form of self-hypnosis. You have to be hyper, hyper aware of what's going on around you. You have to know where the lens is, what the shot is, and where you're moving. And then you have to trick yourself into an emotional state where you believe this stuff is actually happening.

The stories my pupils told me were astonishing. One told how he had witnessed his cousin being shot in the back five times; another how his parents had died of AIDS. Another said that he'd probably been to more funerals than parties in his young life. For me - someone who had had an idyllic, happy childhood - this was staggering.

In 1986, we gave it our best shot but we didn't get the run of the ball.

I think my generation has had an unbelievably easy time profiting from the world that was made for us by our parents and grandparents. We are essentially a rather frivolous generation. The Blair government was my generation's shot at power. It had some good things, but it had some flaws.

The guys on 'Game of Thrones' trust me implicitly to take care of the action stuff. I don't mess with their drama, but they allow me to come up with ideas like 'Hey, what if the giant had a bow? And what if he shot some guy off the wall?' With 'Constantine,' too, they really trust me to scare the audience.

There's always been a lot of pressure and tension on the line. If 'Pi' didn't work out, I have no idea what my career would be. I don't think I would have gotten another shot at it. If 'Requiem for a Dream' didn't work out, they would have called me a 'one-hit wonder with a sophomore slump'.

You never really know as an actor; it's completely out of your control, in terms of editing, and music, and film stock, shot selection, and what takes they use.

'Dirty Jobs' is maybe the simplest show in the history of TV, with the possible exception of 'The Gong Show'. I go around the country; we've shot in every state. And we spend a day with people who do jobs that are dirty or dangerous or ridiculous or difficult.

As a first-time CEO, I wasn't sure if I would scale to run IronPort long-term. But I wanted a legitimate shot at it.

Brando's a family friend. His mother gave my father a shot to be in a play at the Omaha Community Playhouse. That was the first production he was in.

It is only those who have neither fired a shot nor heard the shrieks and groans of the wounded who cry aloud for blood, more vengeance, more desolation. War is hell.

When I shot 'Private Practice,' Amy Brenneman made a point of really befriending me before we started shooting.