Worked Quotations | Page 4

While novels are fiction, mine are usually very close to my heart. Like my other books, 'The Lemon Orchard' is inspired by something I care about. I care so deeply. The stories are my dreams, and I want to do a lot of research. Roberto is based on a real live friend of mine named Armando who worked in my garden.

I have worked for three decades as a staunch advocate of building a 'big tent' party that includes both pro-choice and pro-life Republicans.

I worked in restaurants, bars, record stores; I did anything and everything to pay my way through university and LAMDA.

I have worked very hard to shed away my chocolate boy image in order to get a tough look for this action entertainer. I am confident of my success and would love to dedicate the same to Director Balachandar sir.

I've worked with Tim Burton five times, and it's just like being part of a family; life doesn't get much better than that.

I just want to make everybody feel what I'm singing. And just to relate to me and know that this has been dream since I was a little girl. I've worked so hard for this, and I just want them to connect with me.

I worked at Sir-Tech, and then when I got old enough to go to college, I went to college but continued to work at Sir-Tech to put myself through college.

What I did was sit down with the Washington State officials, with the historic preservation people, with the tribe, the local community, the port of Port Angeles, and we worked this thing out, and we protected the tribe's interest.

First off, from reading the script and knowing that I was going to be apart of it, I'm a huge 'Wizard of Oz' fan so to be involved in something that was connected to the original books was really exciting for me and it was very different than anything I had ever worked on before.

My brother's friend worked at a TV station, so we went in; the producer of a show asked if I wouldn't mind taking some photos for his wife, who was a talent agent. Next thing I know, I'm enroute to the agency.

It has worked great good in other communities in the state where it has been honestly and faithfully tried, and I feel confident it will do the same in Pitt, if we faithfully administer the law, and that it will bring gladness and joy into the homes of the people.

David Ayer is one of the best directors I've ever worked with. He's a true man's man.

When I walk into a room that is all white and all male, I'm sitting on the outside of that club. That's sometimes an intimidating experience. But I think that everywhere that I've gotten is because I've worked hard. I have the experience, I have the credentials - I continue not to take any of that for granted.

If falling into desperation worked to make things better, then I would say, 'Let's all jump into despair.' But it doesn't help. The only way to truly find meaning and fulfillment is to look at the disaster, the pain, the difficulty, and know with complete certainty that good can come from this.

I have worked with some of the most amazing costume designers in the world.

Me and my cousin, most of the time we worked on radios and fixed them. I guess we started because I was curious to understand how radios work. When I was little, I used to think there were small people inside. Most of the time, I was just trying to see the people who are speaking in the radio.

My father worked in high-energy nuclear physics, and my mother was a mycologist and a geneticist. After both parents completed postdoctoral fellowships in San Diego in 1962, my father took a faculty position in the Physics Department at Yale, and so the family moved to New Haven, Connecticut.

I interned at 'Hamptons' magazine. I was 12. I walked around with a pad and was like, 'What do you guys want for lunch?' to all the people who worked there.

Schaeffer gave me permission to work in the studio with a technician, but I've never worked with him.

There's ups and downs of any job. If you worked at the post office, there's ups and downs. You have your good days, and you have your bad days. If you're a housewife, you have your good days, and you have your bad days.

I had no idea that all the things in my career were going to happen. I sure didn't see it. I just know the good Lord blessed me with ability, blessed me with good eyesight and a good pair of hands, and then I worked at the rest.

I was born five days before D-Day in 1944. My father was a mechanical engineer, which was a reserved occupation, so he didn't have to enlist. My mother was a housewife. She worked in a bank before marrying my father.

I've long struggled with my body image and have worked hard to achieve a healthy weight.

I've certainly been very blessed. I can only say that I worked very hard in class and on set doing the best that I can at the moment. I was incredibly blessed with 'Battlestar'... I tried to work my little butt off just to keep up with everybody else and not too many people kicked me.

My mom and dad worked very hard to give me the best chance in - not just in golf but in life. You know, I was an only child, you know, my dad worked three jobs at one stage. My mom worked night shifts in a factory.

Having worked in disasters, I have seen that, in those critical first few hours, those first few days - so much ends up riding on you and your neighbor and whoever is around. The official response always comes later, and it always feels like it comes too slow.

Will and Tommy Lee are the only actors I've ever worked with where neither of them want to say any lines.

It's always great to see one of the actors I've worked with from 'Caddyshack' and 'TRON.' I run into them occasionally at events.

I was determined to get it right on the pitch. Then, if I had to leave at the end of the season, so be it. I never felt threatened or isolated by the arrangement. We worked together and it worked out.

We targeted five industries for growth, industries where we have natural advantages in North Dakota: value-added agriculture, advanced manufacturing, technology-based businesses, energy and tourism. We worked very hard to grow all those businesses, and that's what's happening.

I have invested in companies. I have worked in companies. We have built companies; we have created jobs.

The difference was you worked for Nixon, and with Ford.

In running, I know that I can train as much as I want and I'm never going to break the world record for the five miles. It's partly genetics; I'm just not built for it. But if I worked really hard, I might be able to cut my time by half. Could I do the same thing with my mind and my well-being?

I was a quiet, nerdy kid living in the Bronx. I spent most of my teens in my room, taking apart electrical items to figure out how they worked before putting them back together, and listening to the music my four older sisters and parents played.

I'm not much for cats. I'm terrified of mice. I've worked a lot with elephants, and they are extremely intelligent and sensitive, and thankfully, they seem to like me. You never want to get on the bad side of an elephant. And never trust a chimp.

My father worked in agriculture, and I got to travel round remote rural areas with him and see a bit of the landscape and people.

When I was 18 I worked with the Ringling Brothers circus, taking care of menagerie animals. I used to rather deliberately risk my life with the big cats.

Any project that you shoot, it's never going to be completely finished the way that... I don't think I've ever worked on anything where every scene has been kept in the order that it was originally in, or that it hasn't been cut down in some way.

It's very funny because every time I make a movie, and I've heard this re-echoed by other filmmakers and actors I have worked with, you kind of feel like you're naked again. You have to figure it all out from scratch, as if you had never done it before.

I think all of the directors I've worked with are mostly curious about the time I had on 'Eyes Wide Shut.' They really just want to know about it. They're all fans of Kubrick.

I'm still Vanessa from the neighborhood. My parents own the shop, and I'm there all the time, that I worked in when I was a teenager. I have a child from my childhood sweetheart.

It's really a good feeling to know that we put this up there, that it's working, that all these people's plans that worked so hard came together and things fit and we've got a real space station.

I guess people assume I have some sort of totally magical life, but I'm a working musician, fortunately. I've worked on my craft, and I'm very fortunate I've been able to survive in a very competitive industry and enjoy my success. It's not easy.

I don't think I set out to have a career in female groups, but it's just kind of happened, and by nature of having worked with my sister - growing up with a sister who also plays, and being in communication with other female musicians.

I'm very proud of my Nigerian heritage. I wasn't fortunate enough to be raised in a heavy Nigerian environment, because my parents were always working. My father was with D.C. Cabs and my mother worked in fast food and was a nurse.

On 'Paranormal Activity,' it worked to my advantage not to have much of a crew, but on a bigger movie, where you have to work with a larger group of people who basically become your second family for a few months, it can be a great experience. Even though all of my projects are small scale compared to most Hollywood productions.

I worked initially in very low-budget independent films that I often wrote. My early work was all written by myself, and then I adapted 'Tsotsi,' so I was used to the writing process being, in a way, integral to my directing. I felt it really prepared me.

We only had enough money really to cut 10 things and be in there for a month because it's expensive, you know. And, singer/songwriters, today are lucky if they can get a deal, you know. So, we actually worked so fast that we really cut 20 things.

Most of my technical knowledge comes from having worked in the industrial video industry.

Since entering the new century, China and Africa have seized the historic opportunities presented by the deepening of globalization, worked together and helped each other to achieve a win-win outcome.

I guess I just always imagined that I was going to die, like, somehow on top. I was going to, like, go out in some sort of blaze of glory. I never thought about sort of fading into obscurity. And I've worked so hard at having a life, an identity, in obscurity and finding peace with that.

A lot of family members worked in the joint commodities family business. It was a classic case of capitalism at work and socialism at home.

You have to hone your craft, but you also have to be born with a certain amount of talent, and I never took the talent for granted - I've always worked really hard to be as good as I could be.

In the case of 'Blood Stone,' the producers, EON, Michael Wilson, Barbara Broccoli, David Wilson and Gregg Wilson, had an idea for a story and had a lot of it done. And I came in, worked with them, fleshed it out.

The venture business is a bit of an apprenticeship business, so the firm I worked for didn't let me make an investment until I was 30. That was probably a very smart thing.

In sports, you play up to the level of your opponent, and I did some of my best work with Chevy, and I'm so grateful to have worked opposite him. He was a handful and a challenge, and he made me step up to the plate.

I used to work out on an island called Martha's Vineyard. I ran a pizza oven, I caddied, I worked on a fishing boat, and life is very easy out there. It's a vacation lifestyle all the time.

I treat my writing like a day job, like my main job, even if for many years I was doing other jobs to pay the bills. I worked as a copy editor. I was a medical guinea pig. I was an eBay power seller of ladies' handbags. I was an assistant to a bookie at the horse races. I bartended. I did anything I could to make ends meet.

I'm a visual person - when I write, my input is always visual. I worked in television for several years.

Look, I worked with American Republican presidents and Democratic presidents, all of them, and each of them has shown a deep and profound friendship to Israel, you know? I can't remember anybody who was in that sense negative as far as Israel is concerned.

I think the world of Dave Griffin. I worked with him in Phoenix, got to know him very well, and consider him a friend.

I don't have to be smarter than anybody else. I've just plain worked harder and longer than anybody else.

I once worked with Emma Thompson's mother, Phyllida Law. I worked with her on a BBC drama, and she was hilarious. I loved her so much, and she was great to work with.

Frank Sinatra took me to a whole new planet. I worked with him until he passed away in '98. He left me his ring. I never take it off. Now, when I go to Sicily, I don't need a passport. I just flash my ring.

To me, what I love about the draft is; first, you see the young men who are realizing their dreams that they've worked so hard for. That's a pretty cool thing. You saw the emotion from some of these guys the other day. And then, the second thing is this total sense of hope and optimism. And, I think that's great for everybody.

My uncle worked in emergency wards dealing with people who came in with terrible injuries. He talked about the sketch shows they would put on to lighten the atmosphere. You often find this sense of grim humor in hospitals. The injuries people are suffering are ghastly. You have to laugh at something or you'd otherwise cry.

We look back at the 1990 Clean Air Act amendments, where people screamed and hollered it's going to be too expensive, they couldn't afford it, and it wouldn't work. And it worked. It worked faster than people expected, at much less cost.

I can't tell you how hard I worked the last year. In fact, I worked so hard that I know I can't maintain that same work level in 2001, so I've got to quit something.

I grew up in Oregon, where as a teenager I worked with my grandfather Axel on his i shing boat at the mouth of the Columbia River.

My poor mum had a lot of problems with me around that time. I was young but I'd been working for years, so if she asked me to clean my room I'd say, 'You can't tell me what to do after I've worked a 12-hour day.' It gave me a power that no one that age should have.

Remember when I told you about the American dream? That if you worked hard enough and tried hard enough and kicked yourself in the butt, you'd succeed? Well, I think I did, I think I did.

All of us introverts aspire to be more outgoing, but it's not in our nature. When I was nearly 50, I discovered that the best thing to do was to tell everyone I worked with that I'm just shy. People are not mind readers - you need to let them know.

This was 1978, when flying was still an occasion, a special grand event that took planning and care. I worked as a TWA flight attendant then. I stood in my Ralph Lauren uniform at the boarding door and smiled at the passengers through lips coated with lipstick that perfectly matched the stripe on my jacket. Mostly, the passengers smiled back.

After college, I went to San Francisco and worked as a secretary in a reinsurance company. That was a pretty dismal job. It was a real small place. Guys would come in, and they'd sort of stick out their arms like wings so I could take their coats off. They'd tell me, 'Two,' and I'd put two lumps of sugar in their coffee.

I've always been much more of a guitar picker, but I began to feel forced into a position of being the epitome of a rock & roll guitarist. Originally, TYA wanted to make it without having to compromise to pop. It worked for a while, but after five or six years, the fun went out of it for me; a lot of the music went out of it.

I've had a very full life, and I've enjoyed it very much. I've learned a great deal and feel indebted to all the people who have worked so hard.

I was born in St. Louis; I lived there for three weeks and then my father graduated from St. Louis University, so we all got in the car and split. I don't really remember much. I grew up in Connecticut most of my life and then four years in Germany. My father worked for a helicopter company, so we went over there.

The fact is Jerry Weintraub, the handsome, bearish movie producer, the man with the long career, who worked with Arthur Godfrey and Elvis Presley and Frank Sinatra and George Clooney, is a great storyteller - he's this as much as he's anything else. He takes time telling stories, too.

Well, when I was fifteen years old I worked in a lingerie store and that's how I feel in love with vintage lingerie because I wanted to know the history of it.

I think I happened to work with sort of a bunch of slightly difficult male directors when I was a kid. I've since worked with lots of male directors that I love, so I no longer see the distinction gender-wise.

'Let's Get Harry' was where I met Bob Singer and worked with him for the first time, and then 'Reasonable Doubts' was the second time, and there was a thing after that called 'Charlie Grace' that was the third time. I liked working with Bob. A nice man and a good partner.

I have to say that when I first started singing, I didn't think it was a very noble profession. I worked for people like Robert Kennedy and I thought: 'Wow, that's what it's about. That's how you change the world.' And then I watched that disintegrate in front of my eyes, and it was very discouraging.

My Swedish grandmother was the daughter of a dairy farmer who lived near Hedemora. My Swedish grandfather worked as a clerk for the Swedish railways in the Stockholm station.

I've worked countless hours in the gym, so I feel like I'm already prepared for the game. So when I'm listening to music pregame, it's really just about personal enjoyment.

You worked every day to earn what's on the table, literally. It was a week-to-week thing. And I wouldn't change it. I would not change it for anything.

I spent five years working very hard to develop a relationship with the veterans' service organizations. We have together worked some major projects.

We had offers to go everywhere and we could have done them. But what would have been the point? We were tired. We had worked hard and needed a break before we got stale. We spent six months at home and writing songs.

I wasn't the kind of kid like Spielberg or Lucas who knew to go to film school. I didn't know at 12 what I was going to do; it took me until I was about 23. I studied journalism in college, but after school, I got a job in public television and I never worked as a journalist for one moment.

The useful part of Microsoft was that everything worked together.

I have worked closely with many of our county commissioners, mayors, local transportation officials, and others to determine project needs in the 18th District, and they deserve a great deal of thanks for today's victory on the House floor.

I've worked with a lot of gay and lesbian organizations. I sit on the board of the Empire State Pride Agenda. I've also done a lot of work for Broadway Care/Equity Fights AIDS. I think it's important because, when we can be of service to others, it only enhances our lives. I've been helped a lot in my life.

There are lots of people depending on the government who are good, honest citizens who have worked all their lives.

I worked at a hot dog place, a bagel place, the Jersey Store and the hottest fashion joint around. I was getting too famous to work there anymore. I was almost showing up as a joke. I made $2,000 on my show the previous night and I'm going to go shopping during my five-hour shift.

When I did 'Racing Demon' by David Hare, I worked with Paul Giamatti, who had stacks of books in his dressing room. I was offstage a lot, so I would go read in his room. He was reading a four-part series on the Byzantine Empire by Alexander A. Vasiliev. I read two of those during the run of the play.

I toured with Skrillex, did an HBO commercial with Diplo. In the hip hop movement, I was the first artist Travis Scott ever featured with before he blew up. I had the songs with Chris Brown and Tyga. I've worked with some of the biggest artists in the world.

To this day, my mom's unsinkable spirit is an inspiration to me. For nearly thirty years, she's worked at the Library of Congress. Everyone knows Sameha simply as 'Sami.' Along with 500 miles of shelved books, her closest friendships are cataloged in that library. They are as much the value of work to my mom as is the work itself.

Before journalism, I had worked doing medical aid work in conflict zones. Then, as a journalist, I had written about hospitals in war zones.

So, I was offered this job to come down there but first it was suggested that I take a trip around the country in the areas in which we worked to see what it's all about, and I tell you that was a revelation to me.

Tony Scott was one of the best directors I've ever worked with, and I was devastated when I heard about his death. He was a great guy with great energy. But this is a difficult business, and people's lives are sometimes difficult.

Alan is a great guy, a terrific guy. We haven't worked together since then, and he's always working with different artists. I think he sees different dimensions he can see from different guys.