Andrew Wyeth
Andrew Wyeth
Andrew Newell Wyethwas a visual artist, primarily a realist painter, working predominantly in a regionalist style. He was one of the best-known U.S. artists of the middle 20th century...
NationalityAmerican
ProfessionPainter
Date of Birth12 July 1917
CityChadds Ford, PA
CountryUnited States of America
aloud american-artist became history tales wonderful
I surrendered to a world of my imagination, reenacting all those wonderful tales my father would read aloud to me. I became a very active reader, especially history and Shakespeare.
american-artist bit fly foot work
I can't work completely out of my imagination. I must put my foot in a bit of truth; and then I can fly free.
anybody secretive somebody watch watching
I'm a secretive bastard. I would never let anybody watch me painting... it would be like somebody watching you have sex - painting is that personal to me.
american-artist art far goes love
One's art goes as far and as deep as one's love goes.
player mirrors lines
There's a quote from Hamlet that is my guide... He tells the players not to exaggerate but to hold a mirror up to nature. Don't overdo it, don't underdo it. Do it just on the line.
aim mediums
My aim is to escape from the medium with which I work.
deception foils pencils
My pencil is like a fencer's foil.
knights drawing undisciplined
And, of course, I began drawing so much - wild, undisciplined pencil drawings and watercolors of knights battling and such.
mother father home
I had whooping cough when I was very young, which left me with bronchial problems, and I would always pick up colds. I was very thin and nervous so my father and mother took me out of school and had me tutored at home.
painting mood objects
I'm not at all interested in painting the object just as it is in nature. Certainly I'm much more interested in the mood of a thing than the truth of a thing.
lines moderation
Don't overdo it, don't underdo it. Do it just on the line.
dream loneliness fall
I do an awful lot of thinking and dreaming about things in the past and the future-the timelessness of the rocks and the hills-all the people who have existed there. I prefer winter and fall, when you feel the bone structure of the landscape-the loneliness of it, the dead feeling of winter. Something waits beneath it, the whole story doesn't show.