Charles Soule
Charles Soule
Charles Soule is a Brooklyn, New York-based New York Times best-selling comic book writer, musician, and attorney. He is best known writing Daredevil, She-Hulk, Death of Wolverine, and various Star Wars comics from Marvel Comics, and his creator-owned series Letter 44 from Oni Press. As of early 2016, Soule writes Daredevil, Uncanny Inhumans, Star Wars: Obi-Wan & Anakin, All-New Inhumans for Marvel, and Letter 44 for Oni Press...
NationalityAmerican
ProfessionAuthor
CountryUnited States of America
exist spend spent time trying writer wrote
I actually started trying to be a professional writer with novels, and I wrote two that exist and are around... kind of. But they never really went anyplace in particular. I still like them both. What it showed me was that you can spend years on a novel, and then it could just be, like, OK, you spent that time and that's that.
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The first comic I can remember ever reading was a 'Fantastic Four' issue that my dad bought out of the drugstore once. The thing that struck me about it was that the ending wasn't an ending. It was essentially a cliffhanger. It was the first time I had ever read anything like that, where you read a book, but the book isn't the book.
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Here's a list of some of the folks who have written Swamp Thing over the years: Alan Moore, Len Wein, Scott Snyder, Brian K Vaughan, Joshua Dysart, Rick Veitch, Grant Morrison, Mark Millar. That's not even a full list, but you see my point - ol' Swampy has had some seriously brilliant people behind the keyboard in his time.
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I was an enormous fan of Dan Slott's run, and John Byrne's run was a big deal for me. I found Slott's version of 'She-Hulk' first, and then I went back and looked up some of the older stuff because I liked it so much. And it was so good. It was perfect. It was my perfect comic book at the time that I found it.
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You can't be a practicing attorney without being very disciplined and detail-oriented and having good time management.
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You cant be a practicing attorney without being very disciplined and detail-oriented and having good time management.
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'Thunderbolts' I was mostly attracted to because I really wanted to write Punisher and Elektra and Deadpool, who are characters I have always really enjoyed. But the funny thing is that over time, I came to really like Red Leader; he became one of my favorite guys in the book. Sometimes characters surprise you.
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The decision to work with Marvel for a while isn't any sort of denigration of DC. I had a fantastic time there, I was treated extremely well, I have strong positive feelings about all of my editors and the DC universe of characters, and I look forward to hopefully working with them at some point down the road.
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One of the things that's been really fun about my run on 'Swamp Thing' is putting him in all kinds of different locations around the world, and seeing how his exterior foliage changes based on his location.
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Of all the things I've done, the first 'Strongman' story was one of the easiest things to write. It was almost fully formed from the get-go. It's almost a 'Dark Knight Returns' riff, except you have a battle-worn Mexican wrestler instead of Batman.
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It's kind of like when you have guests coming over to your house, and you haven't really picked up in awhile, and you look around and say, 'Wow, my place is kind of a mess, but I never noticed it because it's what I've been living in every day.' That's kind of what Supergirl is to the Red Lanterns.
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I've been a Marvel reader since I was just a kid, and I've dreamed of being a Marvel writer for almost as long, so being tapped to officially join the team is truly something.
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I'm an attorney when I'm not writing comics, and have been for years. That's a side of my life I don't always associate with pure creativity, but it's all worked out nicely.