Chester Brown
Chester Brown
Chester William David Brownis a Canadian cartoonist...
NationalityCanadian
ProfessionCartoonist
Date of Birth16 May 1960
CountryCanada
broad hope themselves
You kind of hope that the events themselves are interesting. I think that's what you have to hope for, that on a broad level it's an interesting story.
century coming needed people scientists seemed
The scientists at the end of the 19th century had people coming to them with this weird behaviour, and they didn't know what was going on but there seemed to be a similarity. They needed an answer, so they made up one.
full main pacing script written
The main problem was a pacing problem. I had wanted the project to be about 20-30 issues, and I should have written it out as a full script beforehand.
changing match title
The director is planning on titling the film 'Yummy Fur' so we are probably planning on changing the title of the book to 'Yummy Fur' to match the film.
adding almost changing dialogue half scenes time
Almost every scene, I re-think as I'm about to start drawing it, and at least half of the time I'm changing dialogue or whatever, or adding scenes or different things.
bit consensus debate mark planning popular
There's a bit of debate about that; some say it was really Matthew, but the popular consensus is that Mark was the first one, so that's why I did that one first. And I was planning on doing all four.
dramatic enjoying figuring great happened historical limited telling
There I was limited to what happened the same way I am with Riel. It doesn't feel like a great burden to have your story, to some degree, set. I am enjoying figuring out what I think is the most dramatic way of telling this set of historical facts.
They thought they were identifying a set of behaviours, but yeah, they just wanted to have an answer.
naturally nature
It's not so much that I got that idea at some point, it came up naturally because of the improvisational nature of the story I was telling.
affect affecting draw layout point projects
With each of those projects I wasn't thinking about how the layout would really affect the story I was working on - it wasn't the content that was affecting the layout, it was, how I wanted to draw at that point in time.
almost seems
'Penthouse' didn't seem to concentrate as much on the girls' faces, and I really wanted to see the girls' faces. It seems like through the 1980's, they almost went out of their way to obscure the girls' faces.
angle aspect ended
The whole schizophrenia angle interested me. When I first started working on it, I thought I would play up that angle more than I ended up doing. The religious aspect of the story was also a draw.