Christian Bale Quotations

The only thing I would unequivocally say is that I have never had any interest in romantic comedy I just couldn't do it. I think I'd be terrible.

I think trying too hard to be sexy is the worst thing in the world a woman can do.

No, only disappointment in myself on those occasions I didn't manage to rise to the occasion as I felt I should've done. I can always see how to do it, and then the challenge is, Can I manage that each and every day?

I mean, first of all, let me say whichever superhero first came up with the idea of wearing a cape, he wasn't really onto anything good. The number of times I'm treading on that damn thing or I throw a punch and it ends up covering my whole head. It's really not practical.

I'd love to remain a secret and still work, but I also want people to see the movies I'm in and get a higher profile because of that. I like to think that as long as you continue choosing diverse roles, you can avoid becoming predictable.

I have this theory that, depending on your attitude, your life doesn't have to become this ridiculous charade that it seems so many people end up living.

Everyone always tells you that you're the only one that can do this or that role right, and if you say no, they go to somebody else and tell them that they're the only one that can do it right. But when they're talking to you, you're always the 'Best Actor of Your Generation.'

But I learned that there's a certain character that can be built from embarrassing yourself endlessly. If you can sit happy with embarrassment, there's not much else that can really get to ya.

It's got to do with putting yourself in other people's shoes and seeing how far you can come to truly understand them. I like the empathy that comes from acting.

I tend to think you're fearless when you recognize why you should be scared of things, but do them anyway.

I find something fascinating about the quiet man in the background who has no desire to be the center of attention.

I find what I do for a living really funny. I mean, acting is kind of a hilarious thing for a grown man to call a job.

I do like taking stuff seriously that a lot of people look at as nonsense. I enjoy the insanity of that. And I like the commitment that is needed for that.

A teenager usually wants to try to get people to notice him in some way, to feel like someone gives a damn. Me, all that attention, I just wanted to fade into the background. Be invisible. Disappear.

I will never say never, but I will say never to doing the more typical romantic comedies. You know, unless I'm getting audited and I'm on the street and I desperately need some dough and that's the only thing that I'm getting.

In everyday life, my wife is the most wonderful. We're in love with each other beyond belief.

I don't think I'm like any of the characters I've played - they're all really far from who I am.

The only thing that I'm obsessed with is sleeping, and actually, it is more than an obsession, it is a pleasure.

All of the muscles were gone, so that was a real tough time of rebuilding all of that. But you have a deadline, you have an obligation. You've said that you will commit to this part, and I just can't live with myself for not really giving it as much as I can.

My hope is that people will be repulsed by the character's complete lack of ethics and obsession with consumerism - that's what I was saying about the difference between the character's message and the film's message.

Working out is incredibly boring. I swear it's true that the bigger your muscles get, the fewer brain cells you have.

Art is something to be proud of. Art is no compromise.

So yeah, a good director will be able to listen and hear everything, but have a confident vision of his own that he can say, 'oh yeah - that's a great point.' And you never know; often you can help far more than you think you can, because there's so much more that he's juggling than an actor.

It's not who I am underneath but what I do that defines me.

My dad was the biggest influence on my life because he was never boring.

In terms of the romantic kind of lead, I just never enjoy those movies very much. Maybe they'll come to interest me more as I get older. I doubt it, but maybe. Romantic comedies tend to be, for me, an oxymoron.

I start from scratch with each movie; I wipe the slate and I certainly don't rely on some bag of acting tricks I've amassed over the years.

If everyone really knew what a jerk I am in real life, I wouldn't be so adored in the slightest.

I never want to feel that I'm playing it safe.

An actor should never be larger than the film he's in.

I think mostly it's the adventure that I will have in making the movie. That's what I look for.

I'm an actor I'm not a politician. I always kick myself when I talk too much about family, or personal things.

I put on weight like Santa Claus. I just get this belly that kind of extends out.

In honesty, there are probably a lot of stories that can be told with Batman. I like the idea of him growing older and he can't quite do it as much anymore.

Putting on weight is easy all the way through. But after the first couple of weeks, the novelty wears off very quickly, and your body is groaning and starting to really shout at you, saying, 'Why? Why? Why? Why are you doing this?'

There are occasions when I've pretended to be in a firefight, and then there are people who have really been in a firefight. Clearly it's absolutely ridiculous, and even disrespectful, to suggest that I understand what that is.

Look, I've got incredible pride for my family. I've absolutely fallen into that cliche of a dad who could just happily talk about my daughter endlessly.

A movie star is someone people look at and go, 'I want to be like that person'. There's the responsibility of desire. It's not something I'm interested in trying. I would fail miserably at it, so why even bother?

And I not only inherited an aversion to the nine-to-five routine, but the sense from my parents that being bored and boring is the worst thing that you can be.

I tend to stay in character between scenes... to be rather serious on set, but here's why, and I think people will find it surprising. I'm one of the worst 'corpses' on a movie set, which means you can't keep a straight face. You start to get the giggles and you can't stop.

I went backwards and forwards over it until I was 22. And then in the past few years I began to say to myself, OK, look, I'm not messing around. This is something I want to attack, instead of thinking, I'll just see what happens with it.

We are starting off with our own different characters and our own laws and everything, looking at Bruce Wayne and how he came to be the person that he was and how he comes to be this man that jumps around in the Bat suit.

All I've ever ended up with in terms of achievements is the movie, some really stupid anecdotes, a bunch of crosswords that I didn't finish and maybe some old bicycle that I found lying around on set.

'Batman' took 10 months to film, and by the time I stopped working on it, it took a long time before my English accent came out again. I was actually having to try for it.

Essentially, I'm untrained, so I just go with my imagination and try to put myself as solidly as I can into the shoes of whatever person I'm going to be playing.

I don't get it when you get so much openness about the way movies are made, and the special effects and the behind-the-scenes stuff and all of that. I can't help but feel like this reduces it a little bit.

I like the idea of movies having a magic element. How many times have you seen an actor in a movie who you know only as the character? It's wonderful, isn't it?

If I'm not working, I really have nothing to do with it - I'm not hanging out and mixing with film people. Not that I have anything against film people; they're some of the best people around and some of the worst people around, just like in any business... they just gesticulate a little bit more.

Nuclear apocalypse - who do you need? Actors are probably not top of the list. What can I do for you? I can pretend to be somebody who can grow you some nice crops.

There was a great complexity to my father. He was a devoted family man. But, in the same breath, he simply was not suited to an anchored life. He should have been somebody who had a backpack, an old map, a bit of change in his pocket and that was it - roaming the world.

A lot of actors say that theater's the thing for them. And that's great, and I'm not one to speak with any authority about it because of not having done it properly. For me, movies are what I love.

I've had some painful experiences in my life, but I feel like I'm trivializing them by using them for a scene in a movie. I don't want to do that. It just makes me feel kind of dirty for having done that.

When it comes to films, people often don't differentiate between the message of a bad central character and the message of the film itself. They are two separate things.

But I enjoyed getting sick, I didn't mind it at all. So in that short amount of time, I did actually go from 121 right back up to 180, which is way too fast obviously. And that resulted in some doctors visits to get things sorted out.

I've always believed that the director does whatever the hell he wants. That's what you sign on for as an actor - I can't stand it when you have actors who are trying to leverage directors into doing things they don't want to do.

I never want to turn something down because I'm afraid to do it, because of some idea of image or whatever. That was never anything I set out to do. In fact, the opposite, I always want to confuse people in terms of any kind of image and be unpredictable in any kind of movie I make.

Certainly I have no attraction to misery. I don't intentionally go for dark.

How serious can a movie about time-traveling robots be? You want it to be cool and fun.

I don't personally look to my own life experiences for answers about how to play a scene.

I'm English. Our dentistry is not world famous.

It's the actors who are prepared to make fools of themselves who are usually the ones who come to mean something to the audience.

Planning a career, I always find that such a tricky thing, because I don't have much of a plan, really.

The interesting thing about a movie is the movie.

The point of having a director is that they make the final decision; it's their point of view, they set the rhythm and they make the final decisions.

What the hell kind of man decides to dress up as a bat and run around the city? There's got to be something a little bit loose in there.

I always leave that for other people to decide, because some of the things I consider to be disasters are some people's favorite movies. And that's what I like so much, is that you never know. Something intrigues somebody and means nothing to somebody else.

I'll find myself having dinner with people and someone will mention something and I will say I was in that situation once. Then I'll say, forget it, it was a scene I was in. That can get to be quite confusing.

Obviously there are times with acting when exactly what is required is just going through the motions, and when doing nothing is the best thing. But at other times, you have to make that leap beyond the immediate environment of people putting up lights on the set.

And being as I'm somebody who loves movies like The Machinist, I also love going along to big mass entertainment movies. I get in the mood for all kinds of movies, and so I like to try each of them.

I always figure hey, look, I'm not a rock star, I'm an actor. I'm somebody who's meant to be other people and I'm not meant to be here representing myself. I'm happier when I'm presenting myself as other characters.

I don't want to know about the lives of other actors and I don't want people to know too much about me. If we don't know about the private lives of other actors, that leaves us as clean slates when it comes to playing characters. That's the point, they can create these other characters and I can believe them. I think if you're a good enough actor, that's the way to longevity in the film business. Keep everybody guessing.

I met my grandfather just before he died, and it was the first time that I had seen Dad with a relative of his. It was interesting to see my own father as a son and the body language and alteration in attitude that comes with that, and it sort of changed our relationship for the better.

I'm not an actor that tends to care. I don't ask 'Is this a close up? Is this a master? Is this a wide? What are you doing?'If I look up and notice the camera I go 'Oh, it's a big one today, must be an IMAX.' And that's kinda it for me because it doesn't affect what I'm doing.

I've always felt that I would rather see an actor, writer, or musician's work, rather than actually know the person. If you know too much about an artist, it somehow lessens their ability to do their work as well.

It's about pursuing it rather than waiting to see what comes along. That's partly because I found myself getting typecast, as everyone does unless they pursue roles that are very different from what they've done before.

One of the places where we lived when I was growing up had this big wood out the back. And starting when I was about 8, I used to enjoy just walking alone through the wood late. Eleven p.m. Midnight. Later.

The biggest rebellion I could've ever had with my father would be to work in a bank. He would have disowned me. As long as I was doing something where I didn't have to wear a tie, I was good.

'The Machinist' changed me. I learned that I really enjoy, literally, not saying a damned word for days at a time, except for what was in the scene. Whole days of... nothing. Just... standing still. I know a lot of people found it bizarre, because they'd be standing right next to me thinking, 'Why aren't we talking? What's going on?'

There are movies where actors aren't characters but movie stars, being cool beyond belief throughout the whole movie. That is what it is. And we reveal ourselves when we act, very often without noticing. But if I can manage to do a character without showing anything of myself, then that's the ultimate goal for me. No leakage.

There have been many times when you spend a number of months and the finished product is not what you wanted to see. And 'Batman Begins' was what I wanted to see.

You're creating a different world and the actor's job is to be able to convince the audience to enter into that world, whether it be actually something that you recognize from your own life or not.

I only sound intelligent when there's a good script writer around.

We both said we were sick of seeing movies where the fights are clean and tidy, so we made it messy, ... a welt on my forehead that made me look like the Elephant Man for a couple of days.

But after having done American Psycho and Shaft, I found it a breath of fresh air to play somebody who's completely human in terms of his emotions.

Bateman becoming an icon made me resentful. It will be on my tombstone that I created that character. And I resented that character haunting me.

What I love about my wife is that she's a really strong-minded, stubborn, fiery woman. I find that sexier than anything else.

My method can be nothing, or the most intense, bizarre preparations you've ever seen.

They've been speaking about (a sequel) from the first time they opened their mouths.

I think the harder the shoot, the more I feel like I'm enjoying myself.

I ain't the first on the list that people are sending scripts to. I'm very lucky. I've managed to put myself in the position with some directors, who will be calling me directly, and we're working on things and talking about things, but that's on a purely creative level.

I think there's a limited amount of planning you can do, at least in the position I'm in. Maybe more successful actors can plan more than I'm able to.

You have to make an effort to be in an unprotected environment because everyone thinks you're a completely incapable idiot who couldn't possibly brush his teeth without an assistant. You have to make an effort in order to be able to actually experience the country that you're in.

I'm sure you find it fascinating. It's always interesting for everybody to look at people who've been pushed to the brink. You wonder how you would fare with that. Nobody's interested in somebody who doesn't ever really do anything. I don't have a choice in that. I will always go for those kinds of characters. Each one is a separate choice for me, but I think it's fairly natural to find yourself gravitating towards people who have done extraordinary things.

Research can be interesting, but it can be pointless as well. The realities of making a movie often are not conducive with that. I'm not knocking it. I love doing research myself, but I admit it doesn't always add to the performance.

I know a lot of other actors that don't like to look at other references to their characters and things. But I like it. I always look at everything, I read all the books. I read Dieter's "Escape from Laos." I watched the documentary again and again and again. I recorded it just to listen to him a lot. I just don't suffer from feeling like I'm getting caught into an imitation. I just feel like I want to steal some good stuff if it's in there.

Dieter Dengler was an amazing man. Who knows what he would've been had he not ever been tested in this way? It's a question that I certainly have myself. What would I be able to do in certain situations? He came out, obviously, looking like a true hero, but he didn't go in looking like that. He was not your typical image of somebody that you would think would be the tough guy who was able to endure. His lighthearted attitude, this sort of dorkiness, and naivete; it ended up being the finest tool for his survival.

Any planning that I have in my career is totally accidental really.

I never try to guess what anyone else will take from a movie. Every movie is such a different experience for each and every person. I don't like it when people try telling people what they should take from a movie. You should go see it with fresh eyes and see for themselves.

It's a wonderful thing when your trainer is actually the person you're playing.

I quite like it when you're working with people and you only get to know them through the scenes that you're doing together.