Chief Xian aTunde Adjuah (born March 31, 1983),[5] (formerly Christian Scott),[6] is an American jazz trumpeter, multi-instrumentalist, composer, and producer. (wikipedia)
I came up with a 'forecasting cell,' which is basically a mixed intention cell or chord that is a complete hybrid of a consonance and a dissonance, and what that does when you are improvising is lead you to where you are supposed to go.
Even if I have a good day, I still am aware of other people that are going through really hard, tumultuous things. I don't want to be the person who has a platform and neglects the things I see in my life and experiences.
Jazz is really 20th-century fusion music. You take West African harmony and rhythm, mix with European harmony, and boom!
It's funny because as a composer, you want to hear your songs live on. I think a lot of times people will create a song and it becomes stagnant or something that they're no longer interested in playing, and they leave it alone.
At Mardi Gras, the different tribes will basically play war games, and so my brother is what you call a Flag Boy, which is more of less like a tribe's diplomat. He carries the game's standard and is really the line of where the game starts.
Man I mean, the great thing about playing clubs in Harlem is people have an appreciation not just for the music but for the history of the music.
The music that I make, the younger musicians are referring to it as 'stretch' music.
We didn't have much, but I was raised to believe if you had books, you had a lot. My grandfather and my parents made me and my twin brother Kiel read at least a book a week.
It doesn't matter if I ever win another award or get to play another major jazz festival in America. I would rather not garner any of those things and speak honestly about the things that I see my people endure in this country and all over the world.
I think a lot of musicians and artists are really one that really only have one trick.