Danny Huston Quotations

Nick was wonderful to have around because he's just such a straight talker,

I'd been in Kenya previously working on The Constant Gardener ,

I think that John is also making that point to the American voter who feels that he can't make a difference because it's all too rotten, that if one is inquisitive enough, then maybe that spark can be ignited,

You know, the great thing about acting or, indeed, filmmaking in general, is that we're all given a reason to do research. You kind of have to, really, if you want to know what you're doing, but it opens up this whole new understanding.

Growing up, I spent a lot of time on film sets all over the world.

I had no ambition to become an actor at all.

I love playing bad. But my whole thing is usually villains that don't know that they're evil.

I started as a director and just fell upon acting.

The whole thing of doing a TV series, I find it very daunting not knowing where the story's going.

There's a point where art is not subjective, and my example for that is Picasso. If you don't like Picasso, that's your problem.

At times, there are misunderstandings [during shooting]. Especially with green screen and not really knowing what it is that you're looking at, you really depend on the director to create that world for you.

When I was really young, I shot a lot with my Super 8.

Also, in my acting, I feel very much like a storyteller, exploring the flaws of the characters that I interpret. I look for the imperfections, and I love a character that is just so flawed.

As an actor, it's hard to direct because, suddenly, you're not around. The thing which I hate about directing is the waiting game, but you've really got to wait it out and be resilient and keep it going and keep everybody motivated.

In a way, all actors are gypsies, or much like a traveling circus.

I guess I've played a lot of failures, which is a Huston quality, I guess. I love losers, though, and have never met anyone who hasn't been one sometime. I'm always looking to understand them, and my father had an extremely keen eye to be able to dissect and bring that forward in the way he told his stories.

I loved painting and drawing for many reasons. One of them was that all it really required was me, a pencil and a pad. It was something I was passionate about, and still am.

I resisted the film business as long as I could, because of the big circus act and the amount of money that it costs to make films - I saw my father suffer through that.

Usually when you're working on fight scenes, you don't really feel what's going on physically. It's more when you go back home and you're like, "My god!," and you wear the wounds or bruises with a certain amount of pride.

Sometimes film is just the family business. Some families are generations of carpenters or farmers, or they make clothes, or they're all lawyers. I'm in the family business.

Why should I ever get fed up talking about my father? He was a brilliant, colorful man who left us with thousands of memories. Most people remember his films, but I've got anecdotes and advice and episodes of real life tucked away inside my head.

I seem to play a lot of losers.

If one got too concerned with motivation, his eyes would kind of roll. He and John have collaborated before, so there was a good shorthand there.