Hampton Sides Quotations

When the Americans were trying to conquer the Navajos, they felt this need to capture Canyon de Chelly like it was the Navajo capital. It was a meeting place and a sanctuary of last refuge. To control Canyon de Chelly was to control the Navajo people.

The forties are the time when you begin to take notice of certain aches and pains. Your body and brain behave in inexplicable ways: Less hair on your head, more in your ears and nostrils. More memories in the bank, less synaptic firepower with which to access them. Gravity has started to show its inexorable pull.

Probably the biggest influence on my career was the late John Hersey, who, while he was at 'The New Yorker,' wrote one of the masterpieces of narrative non-fiction, 'Hiroshima.' Hersey was a teacher of mine at Yale, and a friend. He got me to see the possibility of journalism not just as a business but as an art form.

I've sort of been an anthropologist of modern America, in a non-academic way. Whether it's Marines or Tupperware salesladies, high end audiophiles or bike couriers, I'm fascinated by the hallmarks of the American tribe.

I'm not a huge soccer fan, but I follow the sport. I played in high school, a little bit in college, played on various club teams most of my life, and all three of my sons are competitive soccer players and far better than I ever was.

I think of America not so much as a single country but as a constellation of groups out there competing for air time, energetically expressing themselves and luxuriating in their right to govern themselves. Freedom is that great vaunted word that's always applied to our country - and rightly so.

I majored in Southern history in college, and much of my early work at my first job - as a staff writer at 'Memphis' magazine - focused on race relations.

I love Memphis, I guess you could say, in the way that you love a brother even if he does sometimes puzzle and sadden and frustrate you. Say what you want about it, it's an authentic place. I was born and raised in Memphis, and no matter where I go, Memphis belongs to me, and I to it.

I find there's a thin, permeable membrane between journalism and history, and though some academic historians take a dim view of it, I gather a lot of strength and professional inspiration from passing back and forth across it.

I don't concentrate on any one period of history; I like to locate my stories in wildly different eras and places. I seem to be drawn to large, sprawling, uncomfortable swaths of American history, finding embedded within them a tight narrative that involves strife, heroism, and survival under difficult circumstances.