Henry Selick
Henry Selick
Henry Selickis an American stop motion director, producer and writer who is best known for directing The Nightmare Before Christmas, James and the Giant Peach and Coraline. He studied at the Program in Experimental Animation at California Institute of the Arts, under the guidance of Jules Engel...
NationalityAmerican
ProfessionDirector
Date of Birth30 November 1952
CityGlen Ridge, NJ
CountryUnited States of America
aspects common efforts talented towards
When you're writing, it's all up to you, and you don't have to make any compromises. And when you're directing, there's this intense pleasure you get from working with all these really talented people, and pooling the efforts towards a common goal. I like all the aspects of film-making.
complaint mutual nobody society
Nobody does animation better than Disney; it's just that some of us wanted out of the box. Burton was one. I was another. We were the mutual complaint society.
careful slow time
In all animation, if it's done quickly, you'll know it. And if you're very slow and careful with it, it's going to look a little more beautiful. It's just compressing time into seconds.
animation attuned culture meant problem
I'm meant to be an animation director. That world, and the culture of stop-motion, is where I want to live. It's more my problem than Hollywood's. I'm not attuned to Hollywood.
crude point super type
Any type of animation, it could be really super crude or very sophisticated, it doesn't mean anything if we don't make this point in this shot, this one here and this one here. There's the saying, 'One shot, one thought.' It's pretty much a true way to go.
great life
Making 'Coraline' was one of the great filmmaking experiences of my life.
best book carry classic consider considered dangers facing kids libraries people picture time tradition wild
There's this long tradition of... even 'Where The Wild Things Are,' which many people consider the best kids' picture book of all time. It was considered revolutionary, and some libraries wouldn't carry it. But it's a classic because it taps into empowerment for kids, kids facing dangers and winning.
kids love ways
Kids love to be scared - there's way to do it right, and ways to do it wrong.
If you're drawing humans, it can be detrimental to be too naturalistic, which is like animating little corpses.
blue costs dreamworks feature huge interested million money motion nobody pixar potential stop
We can still do a stop motion feature for about one-third of what it costs Pixar or DreamWorks or Blue Sky to make a feature. But nobody is interested in a film that cost $50 to 60 million with the potential to do $120 million. They want to risk big money to make huge money.
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No one's ever going to make a PG-13 animated film unless David Fincher executive produces it and puts it out on Netflix, and then if it's a success everyone will change.
almost coming few love nature primal styles
You know, I love stop-motion. I've done almost all the styles of animation: I was a 2D animator. I've done cutout animation. I did a CG short a few years ago, 'Moongirl,' for young kids. Stop-motion is what I keep coming back to, because it has a primal nature. It can never be perfect.