Howard Hawks Quotations

You can't fix a bad script after you start shooting. The problems on the page only get bigger as they move to the big screen.

A good movie is three good scenes and no bad scenes.

I'm a storyteller - that's the chief function of a director. And they're moving pictures, let's make 'em move!

When you've got some talent, your job is to use it.

I try to tell my story as simply as possible, with the camera at eye level.

I think girls who insult people are very attractive.

John Wayne represents more force, more power than anyone else on the screen.

If you want to make pictures and enjoy making them, you better go out and make something that a lot of people want to see. And then they'll turn you lose and let you make what you want. And then maybe you can do some of the things that you want to do. But as a beginner, you haven't got a chance.

I'm such a coward that unless I get a good writer, I don't want to make a picture.

It's hard not to think of Jack Ford when you're making a Western. Hard not to think of him when you're making any picture.

The western is the simplest form of drama - a gun, death.

I get a little sick of these New Yorkers who want me to make some psychic thing, like 'The Left-Handed Gun.' They don't know anything about Western history.

I guarantee you that two directors that are any good can take the same story, change the name of the characters, change the name of the town, and make an entirely different picture.

I have a theory that the only way you can be any good is if the camera likes you. If the camera doesn't like you, you are gone.

I made 'Rio Bravo' with John Wayne. It worked out pretty well and we both liked it, so a few years later we decided to make it again. Worked out pretty good that time, too.

Too many actors try to get too much out of scenes that they ought to be leaving alone, just doing them quickly and getting the hell out.

John Wayne represents more force, more power, than anybody else on the screen.

There's action only if there is danger.

I find that when you open on a group of people sitting down and talking, the scene sits down with them. The best antidote for that is an entrance. Begin the scene with someone entering, and somehow it’s more interesting.

Fortune favors the prepared.

I don't think plot as a plot means much today. I'd say that everybody has seen every plot twenty times. What they haven't seen is characters and their relation to one another. I don't worry much about plot anymore.