Iain Banks Quotations

Science fiction is trying to find alternative ways of looking at realities.

My point has always been that, ever since the Industrial Revolution, science fiction has been the most important genre there is.

I'm not a great believer in awards-of course the fact that I've never won one has nothing to do with it at all!

There is a quite a lot of effort involved but I find action sequences some of the quickest to write and the most fun.

I still have some of my old University essays, and I do still have my drawing book from primary year seven.

In so much of politics you're not allowed to disagree with what's been agreed.

Torture is such a slippery slope; as soon as you allow a society or any legal system to do that, almost instantly you get a situation where people are being tortured for very trivial reasons.

Smell is a very animal thing, almost reptilian, where the more cerebral things like reading less so.

I think a lot of people are frightened of technology and frightened of change, and the way to deal with something you're frightened of is to make fun of it. That's why science fiction fans are dismissed as geeks and nerds.

By the usual reckoning, the worst books make the best films.

I deliberately keep myself apart from a lot of stuff; I don't Tweet, I don't do Facebook, I don't blog, and that's largely because I spend my working life staring at a screen and hitting a keyboard, I am trying to cut down on that, not increase it.

I'm an only child so am happy with my own company and I don't really get lonely.

I remember being shocked when I discovered some of my school pals didn't have books in their homes. I thought it was like not having oxygen, or hot water.

I love writing and can't imagine not being able to do it. I want an easy life and if it had been difficult I wouldn't be doing it. I do admire writers who do it even though it costs them.

I've always loved Scotland, and I'm not a huge fan of big cities, to be honest. I like them to dip into for a bit, but I'm not sure I would want to live in one again.

As a writer, you get to play, you get alter time, you get to come up with the smart lines and the clever comebacks you wish you'd thought of.

A lot of what the 'Culture' is about is a reaction to all the science fiction I was reading in my very early teens.

You have to have something worth saying and then the ability to say it- writing's a double skill, really.

I still find it hard to understand that anyone could argue that you can't have machines that exhibit consciousness.

Most mainstream male fiction is littered with heroines, and female characters are basically so great, you want to fall in love with them.

I enjoy it too much - even if I knew I'd never get a book published, I would still write. I enjoy the experience of getting thoughts and ideas and plots and characters organised into this narrative framework.

Dead Air' is full of rants; it's a rant-based book. Yes, it's self-indulgence. I plead guilty; mea culpa.

I just come up with the stories and write them as well as I can. There's not really a great deal of strokey-beard thinking going on.

I think the future stopped looking American when you think back to Blade Runner and Neuromancer, when it started to look more Japanese.

I think we need politicians; we need people who want to serve.

I wouldn't like to be a character in one of my books!

As long as a film stays unmade, the book is entirely yours, it belongs to the writer. As soon as you make it into a film, suddenly more people see it than have ever read the book.

Even in my side of the world, I've been in publishing for what, 25 or 26 years, and it's gone from being a gentlemen's club to being a few big players, and it's very corporatised.

I don't really do themes. I might accidentally, but themes are an emergent phenomena of the writing of the book, of just trying to get a story out there.

In theory, I work an eight-hour day and a five-day week which means I can socialise with my pals who mostly have normal jobs like teaching and computer programming.

Science fiction has its own history, its own legacy of what's been done, what's been superseded, what's so much part of the furniture it's practically part of the fabric now, what's become no more than a joke... and so on. It's just plain foolish, as well as comically arrogant, to ignore all this, to fail to do the most basic research.

Technology determines the possibilities of society. It doesn't matter whether you start out from a fascist state or a communist state or a free-market state

You get so caught up in what you're writing - action sequences tend to do that more than anything else because you're living it, and feeling for your characters.

Tell me, what is happiness? - Use of Weapons

I just pick up my stories as I amble along, little bits of this, little bits of that. It gets easier the longer you've been at it.

I'm too drunk to recall much of what I've said. Which, come to think of it, is probably just as well, judging by the way people who are normally quite sensible dissolve into gibbering, rude, opinionated and bombastic idiots once the alcohol molecules in their bloom-stream outnumber the neutrons, or whatever. Luckily, one only notices this if one stays sober oneself, so the solution is as pleasant (at the time, at least) as it is obvious.

I held my crotch, closed my eyes and repeated my secret catechism.

It was the day my grandmother exploded.

Oh, they never lie. They dissemble, evade, prevaricate, confound, confuse, distract, obscure, subtly misrepresent and willfully misunderstand with what often appears to be a positively gleeful relish and are generally perfectly capable of contriving to give one an utterly unambiguous impression of their future course of action while in fact intending to do exactly the opposite, but they never lie. Perish the thought.

Even galaxy-spanning anarchist utopias of stupefying full-spectrum civilisational power have turf wars within their unacknowledged militaries.

Stories set in the Culture in which Things Went Wrong tended to start with humans losing or forgetting or deliberately leaving behind their terminal. It was a conventional opening, the equivalent of straying off the path in the wild woods in one age, or a car breaking down at night on a lonely road in another.

If this goes badly and I make a crater, I want it named after me!

The bomb lives only as it is falling.

...[Changers] were a threat to identity, a challenge to the individualism even of those they were never likely to impersonate. It had nothing to do with souls or physical or spiritual possession; it was, as the Idirans well understood, the behavouristic copying of another which revolted. Individuality, the thing which most humans held more precious than anything else about themselves, was somehow cheapened by the ease with which a Changer could ignore it as a limitation and use it as a disguise.

But it was pointless, it was stupid; he thought about thoughtless things. If I were a seabird . . . but how could you be a seabird? If you were a seabird your brain would be tiny and stupid and you would love half-rotted fish guts and tweaking the eyes out of little grazing animals; you would know no poetry and you could never appreciate flying as fully as the human on the ground yearning to be you. If you wanted to be a seabird you deserved to be one.

The History Of The Universe In Three Words CHAPTER ONE Bang! CHAPTER TWO sssss CHAPTER THREE crunch. THE END

...and I confess that, like a child, I cry. Ah, self-pity; I think we are at our most honest and sincere when we feel sorry for ourselves.

It looks perverted and wasteful to us, but then one thing that empires are not about is the efficient use of resources and the spread of happiness; both are typically accomplished despite the economic short-circuiting—corruption and favoritism, mostly—endemic to the system.

Soon equates to good, later to worse, Uagen Zlepe, scholar. Therefore, immediacy.

Intellectual achievement. The exercise of skill. Human feeling.

Writing is like everything else: the more you do it the better you get. Don't try to perfect as you go along, just get to the end of the damn thing. Accept imperfections. Get it finished and then you can go back. If you try to polish every sentence there's a chance you'll never get past the first chapter.

Mr Blawke always reminded me of a heron; I'm not sure why. Something to do with a sense of rapacious stillness, perhaps, and also the aura of one who knows time is on his side.

I'm saying with very few exceptions nothing lasts forever, and among those exceptions, no work or thought of man is numbered.

One should never regret one's excesses, only one's failures of nerve.

Hersesy is denying the word of God, and the word of God is much more reliably expressed in the natural world as it’s revealed through reason and science than in what I have heard described wonderfully as “the giant book of Jewish fairy stories

Escape is a consumer goods like another

Don't you have a religion?" Dorolow asked Horza. "Yes," he replied, not taking his eyes away from the screen on the wall above the end of the main mess-room table. "My survival." "So... your religion dies with you. How sad," Dorolow said, looking back from Horza to the screen. The Changer let the remark pass.

The truth is not always useful, not always good. It’s like putting your faith in water. Yes, we need the rain, but too much can sweep you away in a flood and drown you. Like all great natural, elemental forces, the truth needs to be channeled, managed, controlled and intelligently, morally allocated.

-"Then what," Lededje asked, trying to keep her voice cold and not get caught up in the avatar´s obvious enthusiasm, "is making you smile about a disaster?" -"Well, first, I didn´t cause it! Nothing to do with me, hands clean. Always a bonus.

They speak very well of you". - "They speak very well of everybody." - "That so bad?" - "Yes. It means you can´t trust them.

I just think people overvalue argument because they like to hear themselves talk.

My greatest enemies are Women and the Sea. These things I hate. Women because they are weak and stupid and live in the shadow of men and are nothing compared to them, and the Sea because it has always frustrated me, destroying what I have built, washing away what I have left, wiping clean the marks I have made.

Experience as well as common sense indicated that the most reliable method of avoiding self-extinction was not to equip oneself with the means to accomplish it in the first place.

One should never mistake pattern for meaning.

He knew all the answers. Everybody did. Everybody knew everything and everybody knew all the answers. It was just that the enemy seemed to know better ones.

It's a library, only the stupid or the evil are afraid of those

What's one more meaningless act of violence on that zoo of a planet? It would be appropriate. When in Rome; burn it.

It gripped her hand gently. 'Regret is for humans,' it said. She laughed. 'Really?' The machine shrugged and let go of her hand. 'Oh, no. It's just something we tell ourselves.

Anyway, you can't leave her like that. You can't do that to the woman. She doesn't deserve it; nobody does. You don't belong to her and she doesn't belong to you, but you're both part of each other; if she got up and left now and walked away and you never saw each other again for the rest of your lives, and you lived an ordinary waking life for another fifty years, even so on your deathbed you would still know she was part of you.

I think the easiest people to fool are ourselves. Fooling ourselves may even be a necessary precondition for fooling others.

My gratitude extends beyond the limits of my capacity to express it,

An Outside Context Problem was the sort of thing most civilisations encountered just once, and which they tended to encounter rather in the same way a sentence encountered a full stop.

It was a truism that all civilizations were basically neurotic until they made contact with everybody else and found their place within the ever-changing meta-civilisation of other beings, because, until then, during the stage when they honestly believed they might be entirely alone in existence, all solo societies were possessed of both an inflated sense of their own importance and a kind of existential terror at the sheer scale and apparent emptiness of the universe.

Maybe it wasn't anything remotely to do with religion, mysticism or metaphilosophy after all; maybe it was more banal; maybe it was just...accounting.

I am, as I have always been, of the opinion that while the niceties of normal moral constraints should be our guides, they must not be our masters.

If you have any helpful suggestions I'd be pleased to hear them. If all you can do is make snide insinuations then it would probably benefit all concerned if you bestowed the fruits of your prodigious wit on someone with the spare time to give them the consideration they doubtless deserve.

I am not being obtuse. You are being paranoid.

Here, in the bare dark face of night A calm unhurried eye draws sight We see in what we think we fear The cloudings of our thought made clear

The combination of modern ordnance and outdated tactics had, as usual, created enormous casualties on both sides.

You're a wicked man." "Thank you. It's taken years of diligent practice.

What is all your studying worth, all your learning, all your knowledge, if it doesn't lead to wisdom? And what's wisdom but knowing what is right, and what is the right thing to do?

There are no gods, we are told, so I must make my own salvation.

Well," he sighed to no one in particular, and looked up into yet another alien sky. "Here we are again.

Any such inklings were like a few scattered grains of truth dissolved in an ocean of nonsense, and were anyway generally inextricably bound up with patently paranoid ravings which served only to devalue the small amounts of sense and pertinence with which they were associated.

Empires are synonymous with centralized if occasionally schismatized hierarchical power structures in which influence is restricted to an economically privileged class retaining its advantages through usually a judicious use of oppression and skilled manipulation of both the society's information dissemination systems and its lesser as a rule nominally independent power systems. In short, it's all about dominance.

What is any achievement, however great it was, once time itself is dead?

Reason shapes the future, but superstition infects the present.

Most people are not prepared to have their minds changed, and I think they know in their hearts that other people are just the same, and one of the reasons people become angry when they argue is that they realize just that, as they trot out their excuses.

All you ever were was a little bit of the universe, thinking to itself. Very specific; this bit, here, right now. All the rest was fantasy.

Perdition awaits at the end of a road constructed entirely from good intentions, the devil emerges from the details and hell abides in the small print.

I'm a devoted husband. That must strike you as totally deviant.

Look at these humans! How could such glacial slowness even be called life? An age could pass, virtual empires rise and fall in the time they took to open their mouths to utter some new inanity!

I think I know the real reason." "Which is?" "Alcohol in the dust clouds. Goddamn stuff is everywhere. Any lousy species ever invents the telescope and the spectroscope and starts looking in between the stars, what do they find?" He knocked the glass on the table. "Loads of stuff, but much of it alcohol." He drank from the glass. "Humanoids are the galaxy's way of trying to get rid of all that alcohol.

I'm from out of town," he said breezily. This was true. He'd never been within a hundred light-years of the place.

One of the advantages of having laws is the pleasure one may take in breaking them. We here are not children, Mr. Gurgeh." Hamin waved the pipestem round the tables of people. "Rules and laws exist only because we take pleasure in doing what they forbid, but as long as most of the people obey such proscriptions most of the time, they have done their job; blind obedience would imply we are ha!" Hamin chuckled and pointed at the drone with the pipe "no more than robots!

You like music, Mr. Gurgeh?" Hamin asked, leaning over to the man. Gurgeh nodded. "Well, a little does no harm.

That was how divorced from the human scale modern warfare had become. You could smash and destroy from unthinkable distances, obliterate planets from beyond their own system and provoke stars into novae from light-years off...and still have no good idea why you were really fighting.

Half the fun of writing a novel is finding out from other people later on what you actually meant.

Something in your voice tells me we approach the question of remuneration.

Our lives are about development, mutation and the possibility of change; that is almost a definition of what life is: change... If you disable change, if you effectively stop time, if you prevent the possibility of the alteration of an individual's circumstances — and that must include at least the possibility that they alter for the worse — then you don't have life after death; you just have death.