Irvin Kershner
Irvin Kershner
Irvin Kershnerwas an American film director and occasional actor, best known for directing quirky, independent films early in his career, and then The Empire Strikes Back, the James Bond film Never Say Never Again, and RoboCop 2...
NationalityAmerican
ProfessionDirector
Date of Birth29 April 1923
CityPhiladelphia, PA
CountryUnited States of America
coffee men hands
We had an electronic head and arm for Threepio, and I manipulated the mechanism with a joystick. But it wasn't working. The propman said, 'Give me fifteen minutes.' We all went to get coffee, and when we came back, Threepio's head turned perfectly and his arm moved naturally. I looked up and realized that the prop man had a fishing pole with a fine nylon string attached to Threepio's arm. He had rigged another string around the head, which Chewbacca was holding. As Chewie moved his hands, Threepio's head turned!
real lying believe
Film is a window to the real world but a lie that makes you believe the unbelievable.
followers film made
I have not been a follower of how many millions my films made or did not make.
matter film sometimes
I have not given much credence to reviews of my films. Sometimes they're wrong, but it didn't matter to me.
dream acceptance artist
I love my early movies, but naturalism is an artist's early style. Now I want to deal with feelings, dreams, an acceptance of irrationality.
giving able want
I want films to haunt an audience, to give them something to remember and be able to talk about.
care empires film
After 'The Empire Strikes Back,' I got to make big films that I didn't care about, 'Never Say Never Again' and 'RoboCop 2,' and then I got too old.
years effort lasts
In the last ten years of watching films I have found that some of the foreign films I saw affected me most. One American film that stands out for me for its workmanship and artistry is 'Ratatouille.' It was an astonishing effort in filmmaking.
pride perfect purpose
It's a matter of pride to me to get the film done fast, to get it done well. I understand the need for compromise. There is no such thing as a perfect shot, a perfect film. The purpose of film is not to make a monument to oneself.
people humanity mind
The thing that you learn in directing is that when you're on the floor, no matter how complex the shooting is...you have to remain absolutely sensitive to every nuance of the behavior of the people around you. Because, ultimately, if you don't keep in mind the overall humanity, then the machine takes over and suddenly all you have are technically fine shots, technically good performances. The story's being told, but something's lacking, something mysterious, indefinable.
joy idiot life-is
Nobody can be happy. You could have moments of happiness, moments of joy. But life is very difficult. Unless you're a total idiot. Then you can be happy.
interesting faces landscape
There's nothing more interesting than the landscape of the human face.