Isabelle Huppert
Isabelle Huppert
Isabelle Anne Madeleine Huppertis a French actress who has appeared in more than 100 film and television productions since her debut in 1971. She won the BAFTA Award for Most Promising Newcomer for The Lacemakerand the César Award for Best Actress for La Ceremonie. She is the most nominated actress for the César Award, with 15 nominations. She was made a Chevalier of the Legion of Honour in 1999 and was promoted to Officer in 2009...
NationalityFrench
ProfessionMovie Actress
Date of Birth16 March 1953
CityParis, France
CountryFrance
If on paper one would say, "You're gonna spend three weeks in Death Valley," you say, "No, I'm not going to be able to." Very often, very quickly you forget about it.
Venice brings me luck. There is no great role without a great director, so from the bottom of my heart I thank Patrice.
She's really quite talented, ... It was like she had been making movies all her life. There was no naivety or clumsiness.
Yes, it happens very often that someone comes and gives you something, ... But not so many good ones, which makes it easier.
With theatre, I like to compare it to sculpture. It is a shape that you shape. I have this funny image in my head. You can extend it, reduce it.
Yes, he wanted me to do Funny Games before, which I didn't want to do because the film was very theoretical - the way people experience violence on screen. There was very little space for fiction, it was more like a sacrifice for the actors than anything else.
I'm very happy. But when this sort of thing happens, it's best to have a certain detachment.
The story is very cruel and very sharp,
It's not difficult; it's not a big effort. But it's a big effort for me to pursue what I want to do, so that's the effort. When I act, it's just a relief. It's just a respiration.
It's more like breathing for me to act,
I studied, as every little French girl, the piano... I studied for 12 years and then I stopped, because I was very bored with it.
Yes, that is true, ... A mutual friend of ours told me that Alexandra wanted to give me that script, so she didn't come out of nowhere. But it did take me a while before I read it. Then she insisted every morning and after a few months I read it and I thought, 'Oh my God, it's very good.'
I'm standing all the way through the piece, very stiff like a tree, very much rooted in the earth, ... It's like she was wishing to die standing, to die alive. It's a strange feeling.
You could call it a collection of self-portraits. Each photographer has really photographed himself.