James Gleick
James Gleick
James Gleickis an American author, historian of science, and sometime Internet pioneer whose work has chronicled the cultural impact of modern technology. Recognized for illuminating complex subjects through the techniques of narrative nonfiction, he has been called “one of the great science writers of all time.” Gleick's books include the international bestsellers Chaos: Making a New Science and The Information: A History, a Theory, a Flood. Three of them have been Pulitzer Prize and National Book Award finalists; and The...
NationalityAmerican
ProfessionAuthor
Date of Birth1 August 1954
CountryUnited States of America
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Humorists are using Twitter to tell jokes in an interesting way. It doesn't have to be profound, and it doesn't have to be earth-shaking, but it is transformative.
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One measure of twentieth-century time is the supersonic three and three-quarter hours it takes the Concorde to fly from New York to Paris, gate to gate. Other measures come with the waits on the expressways and the runways.
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We have a habit of turning to scientists when we want factual answers and artists when we want entertainment, but where are the facts about the nature of the self? Neurologists peering at PET scans and fMRIs know they aren't seeing the soul in there.
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Flying was great. You have to think fast. You have to develop intuition about the physics of air moving quickly over a surface.
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It is seldom right to say that anything is true 'according to Google.' Google is the oracle of redirection. Go there for 'hamadryad,' and it points you to Wikipedia. Or the Free Online Dictionary. Or the Official Hamadryad Web Site (it's a rock band, too, wouldn't you know).
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In general, I think people should be skeptical of the Internet as a reference tool because so much of what's on it is unreliable and costumed - a hall of mirrors.
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A bit, the smallest unit of information, the fundamental particle of information theory, is a choice, yes or no, on or off. It's a choice that you can embody in electrical circuits, and it is thanks to that that we have all this ubiquitous computing.
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In the 1920s, a generation before the coming of solid-state electronics, one could look at the circuits and see how the electron stream flowed. Radios had valves, as though electricity were a fluid to be diverted by plumbing. With the click of the knob came a significant hiss and hum, just at the edge of audibility.
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In spacetime, all events are baked together: a four-dimensional continuum. Past and future are no more privileged than left and right or up and down.
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Memes can be visual. Our image of George Washington is a meme. We don't actually have any idea what George Washington looked like. There are so many different portraits of him, and they're all different. But we have an image in our head, and that image is propagated from one place to another, from one person to another.
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When people say that the Internet is going to make us all geniuses, that was said about the telegraph. On the other hand, when they say the Internet is going to make us stupid, that also was said about the telegraph.
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Every time a new technology comes along, we feel we're about to break through to a place where we will not be able to recover. The advent of broadcast radio confused people. It delighted people, of course, but it also changed the world.
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For a brief time in the 1850s, the telegraph companies of England and the United States thought that they could (and should) preserve every message that passed through their wires. Millions of telegrams - in fireproof safes. Imagine the possibilities for history!
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Basic dictionaries no longer belong on paper; the greatest, the 'Oxford English Dictionary,' has nimbly remade itself in cyberspace, where it has doubled in size and grown more timely and usable than ever.