James Mangold
James Mangold
James Mangoldis an American film and television director, screenwriter and producer. Films he has directed include Walk the Line, which he also co-wrote, The Wolverine, Cop Land, Girl, Interrupted, Knight and Day, and the 2007 remake 3:10 to Yuma. He also produced and directed pilots for the television series Men in TreesNYC 22and Vegas...
NationalityAmerican
ProfessionDirector
Date of Birth16 December 1963
CityNew York City, NY
CountryUnited States of America
belief beyond comic easier frightened hard johnny movies musical order patient people require successful talent
It was unbelievably hard to get this done, ... Over the years, Johnny understood. He was patient beyond belief. I'd tell him that people are frightened of musical films, but even more so they're frightened of movies that require the talent to be successful in order for the film to be successful. It's much easier to make a comic book.
blood good guts music people remember
People don't remember how good the music was (back then)... There's some real blood and guts in that music.
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Everybody had an idea about Joaquin and kind of his relationship, his darkness and the things he had done playing more cynical or dark roles, ... But this charisma when he gets behind the mike, the joy in him, the unmitigated joy you see in his face when he's watching Reese, and the love. These are things I feel we haven't seen before in his many roles.
album good looking mythic sharing singing time
That's the mythic album where you see his face, sweaty, looking dangerous, and he's there singing to murderers and robbers and sharing a good time with them. As a kid, how could you not be interested?
brilliant cash courageous grow johnny room scene sounds
I think one of the most courageous things about Joaquin in that scene is that he sounds not perfect, not at all. He's not brilliant from the get-go, but he's got so much room to grow. And we grow Johnny Cash in the movie - until, by the end, he's awesome!
john lives pain riding river shadows singing
John was not just a singer, but a songwriter, ... He was always riding this river of shadows in his writing. He was singing about a kind of pain everyone lives through.
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June and John are the last generation who can sing about these things first hand, ... The fact is, these people grew up in a field and they were singing about what they saw.
I didn't want to make a movie about what we already know.
core life mean
The two of them have a lot in common, and I don't mean life story, ... I mean a kind of core energy.
asking johnny next people
When I was making 'Cop Land' in 1996, people were asking what my next movie was, ... Without thinking, I said, 'I want to make a movie about Johnny Cash.'Ã
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As we got to know John and June, what we needed them to understand was that the people they were now was not the people they were then, ... And there was the challenge of combining the grand wisdom and spirituality of these elder legends backwards into the young people they were, as they were learning those lessons. To tell how they got to be here, we had to go to those darker places, and not temper it.
moment people
There was something really adventurous going on at that moment with young people lashing out.
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The big thing that I wanted to do was touch on the very start of rock and roll, I loved this moment in rockabilly music. I loved the idea of people making music because they loved music and not because they saw the video or how to market themselves. A very big point for me in this movie is that John didn't arrive at Sun as the man in black. He didn't already know his marketing angle. He didn't have it worked out. He was just trying to be heard and however that would work or not work was fine, but he just needed to be heard. What was magic to me about that moment in time was that it was a moment before the term 'rock and roll star' existed.
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They were each an antidote for the other. John had a hole in his heart... and June was an antidote... John was a real ambassador for her to the edge or away from a safe place as part of the first family of country music. It's the most wonderful set of opposites you could ever encounter.