Jean Dubuffet
Jean Dubuffet
Jean Philippe Arthur Dubuffetwas a French painter and sculptor. His idealistic approach to aesthetics embraced so called "low art" and eschewed traditional standards of beauty in favor of what he believed to be a more authentic and humanistic approach to image-making. He is perhaps best known for founding the art movement Art Brut, and for the collection of works—Collection de l'art brut—that this movement spawned. Dubuffet enjoyed a prolific art career, both in France and in America, and was featured...
ProfessionPainter
Date of Birth31 July 1901
Jean Dubuffet quotes about
memories interesting feelings
What seems interesting to me is to reproduce in the figurative representation of an object the whole complex system of impressions we receive in the normal course of everyday life, the way this affects our feelings and the shape it takes in our memory; and it is to this that I have always applied myself.
mean creativity imagination
Normal means lack of imagination and creativity.
mistake people rehabilitation
I would like people to see my work as a rehabilitation of scorned values and, in any case, make no mistake about it, a work of ardent celebration.
sea roots snow
The things we truly love, the things forming the basis and roots of our being, are generally things we never look at. A huge piece of carpeting, empty and naked plains, silent and uninterrupted stretches with nothing to alter the homogeneity of their continuity. I love wide, homogenous worlds, unstaked, unlimited like the sea, like high snows, deserts, and steppes.
doe culture common
Our culture is like a garment that does not fit us, or in any case no longer fits us. This culture is like a dead language that no longer has anything in common with the language of the street. It is increasingly alien to our lives.
men names spiders
In the name of what - except perhaps the coefficient of rarity - does man adorn himself with necklaces of shells and not spider's webs, with fox fur and not fox innards? In the name of what I don't know. Don't dirt, trash and filth, which are man's companions during his whole lifetime, deserve to be dearer to him and isn't it serving him well to remind him of their beauty?
strong art paris
(Jean) Fautrier's exhibition (in Paris 1945,fh) made an extremely strong impression on me. Art had never before appeared so fully realised in its pure state. The word 'art' had never before been so loaded with meaning for me.
way painting draws
I have tried to draw the human effigy (and all the other subjects dealt with in my paintings) in an immediate and effective way without any reference to the aesthetic.
art born should
Art should be born from the materials.
crazy real elements
I want my street to be crazy, I want my avenues, shops and buildings, to enter into a crazy dance, and this is why I deform and distort their outlines and colours. However I always come up against the same difficulty, that if all the elements were one by one deformed and distorted excessively, if in the end nothing remained of their real outlines, I would have totally effaced the location that I intended to suggest, that I wished to transform.
book titles inspired
I associated it (the word 'Hourloupe', as title of his longest series of work he made exclusively from 1962 to 1974, fh) by assonance with 'hurler' (to shout), hululer (to howl), loup, (wolf), 'Riquet à la Houppe' and the title of Maupassant's book 'Le Horla', inspired by mental distraction.
roots solitude purpose
I took a great deal of pleasure in it, and I still feel nostalgic about it. However, I felt that it had led me to live in a parallel world of pure invention, shut inside my solitude. Naturally, it was precisely for that purpose that it was made and that was why I took pleasure in it, but I wanted to regain body and roots.