John Berger
John Berger
John Peter Bergeris an English art critic, novelist, painter and poet. His novel G. won the 1972 Booker Prize, and his essay on art criticism Ways of Seeing, written as an accompaniment to a BBC series, is often used as a university text...
NationalityEnglish
ProfessionArtist
Date of Birth5 November 1926
life power seemed
It has always seemed to me that those who are without power, who have to create their own in a makeshifit way, know more about life than those who govern.
accurate choosing enter life modest
I think I'm very permeable. I can very easily, without even choosing to do it, enter the life of another. Or, to put it in a more modest and accurate way, for that life to enter mine.
art authority exists language longer matters past uses
The art of the past no longer exists as it once did. Its authority is lost. In its place there is a language of images. What matters now is who uses that language for what purpose.
although capacity quite senses
I actually think of myself as quite a shy person, although I know I give the impression of someone much more confident. I think what I do have is a capacity to listen to the other, even if the other is an opponent. That leads, in all senses of the word, to an engagement.
act looked men men-and-women themselves watch women
Men act and women appear. Men look at women. Women watch themselves being looked at.
hope perspective science
Perspective is not a science but a hope.
drifted money until
Until 1954, I'd only ever thought of being a painter, but I earned my money when and where I could. You could say I drifted into writing.
against becomes becoming boycott directed exclusive itself
Boycott is not a principle. When it becomes one, it itself risks becoming exclusive and racist. No boycott, in our sense of the term, should be directed against an individual, a people, or a nation as such.
although
'Fahrenheit 9/11' is astounding. Not so much as a film - although it is cunning and moving - but as an event.
calf certain figures tangled
In drawing after drawing, pastel after pastel, painting after painting, the contours of Degas's dancing figures become, at a certain point, darkly insistent, tangled and dusky. It may be around an elbow, a heel, an armpit, a calf muscle, the nape of a neck.
culture except hope industrial longer pleasure power recognises society within
The industrial society... recognises nothing except the power to acquire... No other kind of hope or satisfaction or pleasure can any longer be envisaged within the culture of capitalism.
In ethics, there is a humility; moralists are usually righteous.
cannot empires imagine impossible intelligence lead oneself superpower undermines unique
Being a unique superpower undermines the military intelligence of strategy. To think strategically, one has to imagine oneself in the enemy's place. If one cannot do this, it is impossible to foresee, to take by surprise, to outflank. Misinterpreting an enemy can lead to defeat. This is how empires fall.